Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
"I'll do," said Clarice, calmly, "thank you," as Zara opened another
letter. "What's the matter?" for the dancer suddenly started.
Zara sent so swift and keen a glance in her direction that Clarice
fancied that her disguise had been penetrated. But the fear was
groundless, for Zara again laughed. "I'm amused at the side you are
putting on," she said, calmly, and replacing the letter in its
envelope. "You asked me to let you go, and when I refused you cut up
rough. Now you are trying to make me think that you love me."
"You are certainly very pretty," said Clarice, wondering what to say
to this bold, frank creature, who concealed her feelings so little.
"You thought so once," said Zara, rising and coming to the sofa. "I am
pretty still, only you have no eyes to see. Look"--she twitched the
large red silk shade from the lamp, and the blaze of white light shone
brilliantly upon her beauty--"am I not prettier than that black-browed
minx, Prudence Clarke?"
"Don't say a word against Prudence."
"I'll say twenty if I choose," said Zara, throwing herself on the sofa
beside Clarice, and taking her hand. "Don't get me into a rage, dear
boy. You loved me once, and so deeply that you said my name was
written on your heart. It certainly was tattooed on your right arm,
just above the wrist"--she rapidly drew up Clarice's shirt-cuff before
the girl could stop her. "I see the name isn't there now," said Zara,
jeeringly. "You have obliterated it from your arm, as you have driven
it from your heart, my dear."
Clarice was startled by this development. "You don't understand," she
stammered.
"Oh, yes, I do--Miss Clarice Baird," cried Zara, rising. "I understand
that Ferdy is at Gattlinsands, and that you--are--here!"
CHAPTER XX
PROOF POSITIVE
In that little room, with its vivid colouring and heavy scented
atmosphere, the two women faced each other, bent upon battle. At the
outset, the advantage lay with Zara, seeing how she had penetrated the
disguise of the devoted sister. For one moment the dancer eyed the
pale and startled face of her visitor, and then crossed to a bronze
tripod of classic shape and beauty, wherein smouldered a pastille.
While lighting another one, she threw a careless glance over her
shoulder.
"Well," she said, quietly, "have you nothing to say?"
Clarice, now on her feet, looked at the gaudy comfort of the tiny
room, at the Oriental draperies and ornaments, at the Persian praying
mats, at herself in the glass, tall, slim, and boyish, in her
masculine attire, and then her gaze came back to the graceful woman in
the maize-hued tea-gown. Zara met her gaze with insolence, and a smile
curved the red beauty of her full lips. "Have you nothing to say?" she
repeated, and the question sounded like a challenge.
"A great deal," retorted Clarice, nerving herself for the battle; "in
spite of this dress I am a woman, and therefore can use my tongue."
Public-domain text, read in full here on John Shaqi.
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