He hadn't dreamed one could suffer as he was called upon to suffer
then. The going of little Denise seemed to have torn away a living
and quivering part of his spirit. She had loved him absolutely, and
Peter couldn't forget that. His gratitude was an anguish. It is not
the duration but the depths of an experience which makes its
ineffaceable impression upon the heart.
Mrs. Hemingway saw his changed looks with concern. If she and her
husband suspected anything, they did not torment him with questions;
they didn't even appear to notice that he was silent and abstracted.
"What on earth is the matter with the boy?" worried Mrs. Hemingway.
"John, do you think it's a--"
"Petticoat? What else should it be?"
"I can't bear to think of Peter getting himself into some sort of
scrape with possibly some miserable woman--who will prey upon him,"
murmured Mrs. Hemingway.
"Peter's not the sort that falls for adventuresses. He might fall in
love with some girl, and be cut up if she didn't reciprocate. That's
what's the matter with him now, if I'm not mistaken."
Hemingway took Peter fishing with him. It is a pleasant place, the
Seine near Poissy. Hemingway let Peter sit in a boat all day, and
didn't seem to observe that the line wasn't once drawn in. The river
was rippling, the sky bright blue, the wind sweet. All around them
were other boats, full of people who appeared to be happy. And
Hemingway's silent companionship was strong and kind and serene.
Insensibly Peter reacted to his surroundings, to the influence of
the shining day. When they were returning to Paris that evening, he
looked at his big compatriot gratefully. Then he told him. Hemingway
listened in silence. Then:
"I'm damned glad she had you," said he, and polished his eyeglasses,
and put his hand on Peter's shoulder with a consoling and
sympathetic touch. Hemingway understood. He was that sort.
Youth departs, love perishes, faith faints; but that we may never be
left hopeless, work remains and saves us. Peter's work came to his
succor. Just at this crucial time his Eminence the Austrian Cardinal
appeared, and Peter hadn't time to mope.
The cardinal had seen the picture of Emma Campbell and her cat. He
had seen an enchanting sketch of the Spanish student in the velvet
coat, recently purchased by a friend of his. And now his own
portrait must be painted. He was so great a cardinal, of so striking
a personality, that his own noble family had an immense pride in
him, and the Vatican, along with certain great temporal powers, took
him very seriously. So the painting of the cardinal's portrait
wouldn't be a light undertaking, to be given at random. This and
that great painter was urged upon him. But the astonishing portrait
of that old colored woman and her cat decided his Eminence, who had
a will of his own. Here was his artist! Also, he insisted upon the
cat.
Public-domain text, read in full here on John Shaqi.
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