She had closed the Champneys house, and gone to Marcia, who wanted
her. Jason, too, had insisted that she should make her home with
them for the time being. And then had come the war, and she and
Marcia found themselves swept into the whirlpool of work it
involved. But not even the tremendous news that filled all the
newspapers had kept the Champneys romance from being featured. Her
case received very much more notice than pleased her. She was weary
of her own photographs, sick of the interest she aroused.
Hayden kept discreetly in the background. He behaved beautifully.
But he knew that Anne was going to marry him. Jason and Marcia knew
it. Anne herself knew it. Now that the war was on, a good many of
his plans would have to be postponed, but when Anne had secured her
freedom, and things had righted themselves, they two would take up
life as he wished to live it. All the women of his family had
occupied prominent social positions: _his_ wife should surpass them
all. She should be the acknowledged leader, the most brilliant
figure of her day. Nothing less than this would satisfy him.
For all his esthetic tastes, Hayden was an immensely able and
capable man of business. He had not the warmth of heart that at
times obscured Jason Vandervelde's judgment, nor the touch of
unworldliness that marked the behavior of the Champneys men.
His intellect had a cold, clear brilliancy, diamond-bright,
diamond-hard; to this he added tact, and the power of organizing and
directing and of getting results. In certain crises such men are
invaluable.
Public-domain text, read in full here on John Shaqi.
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