The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
They appeared to be all persons living in the immediate neighbourhood,
for they addressed each other familiarly and were conversing about love
matters. One of them, however, soon dropped out of the conversation,
and, edging away from the others, stood a little space apart, leaning
against the wall on the side of the porch farthest from me. I began to
notice this man very particularly, for it was plain to see that I had
excited his interest in an extraordinary manner, and I did not like his
scrutiny. He was, without exception, the most murderous-looking villain
I have ever had the misfortune to meet: that was the deliberate opinion
I came to before I formed a closer acquaintance with him. He was a
broad-chested, powerful-looking man of medium height; his hands he kept
concealed under the large cloth _poncho_ he wore, and he had on a slouch
hat that just allowed his eyes to be seen under the rim. They were
truculent, yellowish-green eyes, that seemed to grow fiery and dim and
fiery again by turns, yet never for a single instant were they averted
from my face. His black hair hung to his shoulders, and he also had a
bristly moustache, which did not conceal his brutal mouth, nor was there
any beard to hide his broad, swarthy jowl. His jaws were the only part
of him that had any motion, while he stood there, still as a bronze
statue, watching me. At intervals he ground his teeth, after which he
would slap his lips together two or three times, while a slimy froth,
most sickening to see, gathered at the corners of his mouth.
“Gandara, you are not drinking,” said one of the gauchos, turning to
him. He shook his head slightly without speaking or taking his eyes
off my face; whereupon the man who had spoken smiled and resumed his
conversation with the others.
The long, intense, soul-trying scrutiny this brutal wretch had subjected
me to came to a very sudden end. Quick as lightning a long, broad
knife flashed out from its concealment under his _poncho_, and with one
cat-like bound he was before me, the point of his horrid weapon touching
my _poncho_ just over the pit of my stomach.
“Do not move, rebel,” he said in a husky voice. “If you move one hair's
breadth, that moment you die.”
The other men all ceased talking and looked on with some interest, but
did not offer to interfere or make any remark.
For one moment I felt as if an electric shock had gone through me, and
then instantly I was calm--never, in fact, have I felt more calm and
collected than at that terrible moment. 'Tis a blessed instinct of
self-preservation which nature has provided us with; feeble, timid men
possess it in common with the strong and brave, as weak, persecuted wild
animals have it as well as those that are fierce and bloodthirsty. It is
the calm which comes without call when death suddenly and unexpectedly
rises up to stare us in the face; it tells us that there is one faint
chance which a premature attempt to escape or even a slight agitation
will destroy.
Public-domain text, read in full here on John Shaqi.
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