The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
“An _estancia_ without dogs, and where the master has nothing to
say--that sounds strange,” I remarked tentatively, but he puffed on in
silence.
“What is the name of the house?” I said, after remounting my horse.
“It is a house without a name,” he replied; and after this rather
unsatisfactory interview I left him and slowly went on to the
_estancia_.
On approaching the house I saw that there had formerly been a large
plantation behind it, of which only a few dead stumps now remained, the
ditches that had enclosed them being now nearly obliterated. The place
was ruinous and overgrown with weeds. Dismounting, I led my horse
along a narrow path through a perfect wilderness of wild sunflowers,
horehound, red-weed, and thorn-apple, up to some poplar trees where
there had once been a gate, of which only two or three broken posts
remained standing in the ground. From the old gate the path ran on,
still through weeds, to the door of the house, which was partly of stone
and partly of red brick, with a very steep, sloping, tiled roof. Beside
the ruined gate, leaning against a post, with the hot afternoon sun
shining on her uncovered head, stood a woman in a rusty-black dress. She
was about twenty-six or twenty-seven years old, and had an unutterably
weary, desponding expression on her face, which was colourless as
marble, except for the purple stains under her large, dark eyes. She
did not move when I approached her, but raised her sorrowful eyes to my
face, apparently feeling little interest in my arrival.
I took off my hat to salute her, and said:
“Señora, my horse is tired, and I am seeking for a resting-place; can I
have shelter under your roof?”
“Yes, _caballero_; why not?” she returned in a voice even more
significant of sorrow than her countenance.
I thanked her, and waited for her to lead the way; but she still
remained standing before me with eyes cast down, and a hesitating,
troubled look on her face.
“Señora,” I began, “if a stranger's presence in the house would be
inconvenient--”
“No, no, señor, it is not that,” she interrupted quickly. Then, sinking
her voice almost to a whisper, she said: “Tell me, señor, have you come
from the department of Florida? Have you--have you been at San Paulo?”
I hesitated a little, then answered that I had.
“On which side?” she asked quickly, with a strange eagerness in her
voice.
“Ah, señora,” I returned, “why do you ask me, only a poor traveller who
comes for a night's shelter, such a question--”
“Why? Perhaps for your good, señor. Remember, women are not like
men--implacable. A shelter you shall have, señor; but it is best that I
should know.”
“You are right,” I returned, “forgive me for not answering you at once.
I was with Santa Coloma--the rebel.”
She held out her hand to me, but, before I could take it, withdrew it
and, covering her face, began to cry. Presently recovering herself and
turning towards the house, she asked me to follow.
Public-domain text, read in full here on John Shaqi.
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