The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
“My friend,” I said, “if the saddle can be had, it is only just that
you should have the profit. Take ten dollars, and if you buy it for me I
will pay you two more.”
This proposal pleased him greatly, while Cleta, the volatile, clapped
her hands with delight. While Antonio prepared to go to his neighbour's
after the saddle I went out to a solitary thorn-tree about fifty yards
from the _rancho_, and, spreading my _poncho_ in the shade, lay down to
sleep the siesta.
Before the shepherd had been long gone I heard a great noise in the
house, like banging on doors and on copper vessels, but took no notice,
supposing it to proceed from Cleta engaged in some unusually noisy
domestic operation. At length I heard a voice calling to me, “Señor!
Señor!”
Getting up, I went to the kitchen, but no person was there. Suddenly
a loud knock was given on the door communicating with the second room.
“Oh, my friend,” cried Cleta's voice behind it, “my ruffian of a husband
has locked me in--can you let me out, do you think?”
“Why has he locked you in?” I asked.
“The question! Because he is a brute, of course. He always does it when
he goes out. Is it not horrible?”
“It only shows how fond he is of you,” I returned.
“Are you so atrocious as to defend him? And I thought you had a
heart--so handsome, too! When I saw you I said, Ah, had I married this
man, what a happy life!”
“Thank you for your good opinion,” I said. “I am very sorry you are
locked in, because it prevents me from seeing your pretty face.”
“Oh, you think it pretty? Then you _must_ let me out. I have put up my
hair now, and look prettier than when you saw me.”
“You look prettier with it down,” I answered.
“Ah, down it goes again then!” she exclaimed.--“Yes, you are right, it
does look best that way. Is it not like silk? You shall feel it when you
liberate me.”
“That I cannot do, Cleta mine. Your Antonio has taken away the key.”
“Oh, cruel man! He left me no water, and I am perishing with thirst.
What shall I do? Look, I will put my hand under the door for you to feel
how hot it is; I am consumed with fever and thirst in this oven.”
Presently her little brown hand came out at my feet, there being
sufficient space between the floor and wood to pass it through. I
stooped and took it in mine, and found it a hot, moist little hand, with
a pulse beating very fast.
“Poor child!” I said, “I will pour some water in a plate and pass it to
you under the door.”
“Oh, you are bad to insult me!” she cried. “What, am I a cat to drink
water from a plate? I could cry my eyes out”; here followed sob-like
sounds. “Besides,” she suddenly resumed, “it is fresh air, not water,
I require. I am suffocated, I cannot breathe. Oh, dear friend, save me
from fainting. Force back the door till the bolt slips out.”
“No, no, Cleta, it cannot be done.”
“What, with your strength! I could almost do it myself with my poor
little hands. Open, open, open, before I faint.”
Public-domain text, read in full here on John Shaqi.
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