The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
The tall, gaunt form of Ramona drew itself up out of the weeds and
cautiously approached me. She was shaking with nervous excitement,
and had not ventured to come near without speaking for fear of being
mistaken for an enemy and fired at.
“Mother of Heaven!” she exclaimed, as well as her chattering teeth would
allow her to speak. “I have been so agitated all the evening! Oh, señor,
what are we to do now? Your plan was such a good one; when I heard it
I knew an angel had flown down and whispered it in your ear. And now
my mistress will not stir! All her things are ready--clothes, money,
jewels; and for the last hour we have been urging her to come out, but
nothing will serve. She will not see you, señor.”
“Is Don Hilario in the house?”
“No, he is out--could anything have been better? But it is useless,
she has lost heart and will not come. She only sits crying in her room,
saying that she cannot look on your face again.”
“Go and tell her that I am here with the horses waiting for her,” I
said.
“Señor, she knows you are here. Santos watched for you and hastened in
to inform her of your arrival. Now she has sent me out only to say that
she cannot meet you, that she thanks you for all you have done, and begs
you to go away and leave her.”
I was not greatly surprised at Demetria's reluctance to meet me at the
last moment, but was determined not to leave without first seeing her
and trying to change her mind. Securing the horses to a tree, I went
with Ramona to the house. Stealing in on tiptoe, we found Demetria in
that room where she had received me the evening before in her quaint
finery, lying on the sofa, while old Santos stood by her the picture
of distress. The moment she saw me enter she covered her face with her
hands and turned from me. Yet a glance was sufficient to show that with
or without her consent everything had been got ready for her flight. On
a chair near her lay a pair of saddle-bags in which her few belongings
had been stowed; a mantilla was drawn half over her head, and by her
side was a large woollen shawl, evidently intended to protect her
against the night air.
“Santos,” I said, “go out to the horses under the trees and wait there
for us; and you, Ramona, say good-bye now to your mistress, then leave
us together; for by and by she will recover courage and go with me.”
Santos, looking immensely relieved and grateful, though a little
surprised at my confident tone, was hurrying out when I pointed to the
saddle-bags. He nodded, grinned, and, snatching them up, left the room.
Poor old Ramona threw herself on to her knees, sobbing and pouring out
farewell blessings on her mistress, kissing her hands and hair with
sorrowful devotion.
Public-domain text, read in full here on John Shaqi.
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