The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
The girl I have mentioned, whose name was Monica, and the child, called
Anita, were the only persons there besides myself who were not carried
away by the warlike enthusiasm of the moment. Monica, silent, pale,
almost apathetic, was occupied serving _maté_ to the numerous guests;
while the child, when the shouting and excitement was at its height,
appeared greatly terrified, and clung to Alday's wife, trembling and
crying piteously. No notice was taken of the poor little thing, and at
length she crept away into a corner to conceal herself behind a faggot
of wood. Her hiding-place was close to my seat, and after a little
coaxing I induced her to leave it and come to me. She was a most forlorn
little thing, with a white, thin face and large, dark, pathetic eyes.
Her mean little cotton frock only reached to her knees, and her little
legs and feet were bare. Her age was seven or eight; she was an orphan,
and Alday's wife, having no children of her own, was bringing her up,
or, rather, permitting her to grow up under her roof. I drew her to me,
and tried to soothe her tremors and get her to talk. Little by little
she gained confidence, and began to reply to my questions; then I learnt
that she was a little shepherdess, although so young, and spent most of
the time every day in following the flock about on her pony. Her pony
and the girl Monica, who was some relation--cousin, the child called
her--were the two beings she seemed to have the greatest affection for.
“And when you slip off, how do you get on again?” I asked.
“Little pony is tame, and I never fall off,” she said. “Sometimes I get
off, then I climb on again.”
“And what do you do all day long--talk and play?”
“I talk to my doll; I take it on the pony when I go with the sheep.”
“Is your doll very pretty, Anita?”
No answer.
“Will you let me see your doll, Anita? I know I shall like your doll,
because I like you.”
She gave me an anxious look. Evidently doll was a very precious being
and had not met with proper appreciation. After a little nervous
fidgeting she left me and crept out of the room; then presently she came
back, apparently trying to screen something from the vulgar gaze in her
scanty little dress. It was her wonderful doll--the dear companion of
her rambles and rides. With fear and trembling she allowed me to take it
into my hands. It was, or consisted of, the forefoot of a sheep, cut off
at the knee; on the top of the knee part a little wooden ball wrapped in
a white rag represented the head, and it was dressed in a piece of red
flannel--a satyr-like doll, with one hairy leg and a cloven foot. I
praised its pleasing countenance, its pretty gown and dainty little
boots; and all I said sounded very precious to Anita, filling her with
emotions of the liveliest pleasure.
“And do you never play with the dogs and cats and little lambs?” I
asked.
Public-domain text, read in full here on John Shaqi.
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