The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
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The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
Hearing that Alday would not return till evening or till the following
day, I asked his wife to lend or give me a horse to proceed on
my journey. This, however, she could not do; then she added, very
graciously, that while all the men were away my presence in the house
would be a comfort to her, a man always being a great protection. The
arrangement did not strike me as one very advantageous to myself, but,
as I could not journey very well to Montevideo on foot, I was compelled
to sit still and wait for Alday's return.
It was dull work talking to those two women in the kitchen. They were
both great talkers, and had evidently come to a tacit agreement to share
their one listener fairly between them, for first one, then the other
would speak with a maddening monotony. Alday's wife had six favourite,
fine-sounding words--_elements, superior, division, prolongation,
justification,_ and _disproportion_. One of these she somehow managed to
drag into every sentence, and sometimes she succeeded in getting in two.
Whenever this happened the achievement made her so proud that she would
in the most deliberate cold-blooded way repeat the sentence again, word
for word. The strength of the old woman lay in dates. Not an occurrence
did she mention, whether it referred to some great public event or to
some trivial domestic incident in her own _rancho_, without giving the
year, the month, and the day. The duet between these two confounded
barrel-organs, one grinding out rhetoric, the other chronology, went on
all the morning, and often I turned to Monica, sitting over her sewing,
in hopes of a different tune from her more melodious instrument, but in
vain, for never a word dropped from those silent lips. Occasionally her
dark, luminous eyes were raised for a moment, only to sink abashed again
when they encountered mine. After breakfast I went for a walk along the
river, where I spent several hours hunting for flowers and fossils, and
amusing myself as best I could. There were legions of duck, coot, rosy
spoonbills, and black-necked swans disporting themselves in the water,
and I was very thankful that I had no gun with me, and so was not
tempted to startle them with rude noises, and send any of them away to
languish wounded amongst the reeds. At length, after having indulged in
a good swim, I set out to walk back to the _estancia_.
When still about a mile from the house as I walked on, swinging my
stick and singing aloud in lightness of heart, I passed a clump of
willow-trees, and, looking up, saw Monica under them watching my
approach. She was standing perfectly motionless, and, when I caught
sight of her, cast her eyes demurely down, apparently to contemplate her
bare feet, which looked very white on the deep green turf. In one hand
she held a cluster of stalks of the large, crimson, autumnal lilies
which had just begun to blossom. My singing ceased suddenly, and I stood
for some moments gazing admiringly at the shy, rustic beauty.
Public-domain text, read in full here on John Shaqi.
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