The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By HimselfHudson, W. H. (William Henry)
General
The Purple Land: Being the Narrative of One Richard Lamb's Adventures in The Banda Orientál, in South America, as Told By Himself
Hudson, W. H. (William Henry)
Adventure stories; British -- Uruguay -- Fiction; Uruguay -- Fiction
I thanked the officer, who had looked and spoken so unlike a
revolutionary bandit, and, as soon as I had succeeded in clambering on
to my horse, we were once more dashing along the main street at a fast
gallop. We drew up before a large, old-looking stone house at the end of
the town, standing some distance back from the road, and screened from
it by a double row of tall Lombardy poplars. The back of the house was
towards the road, and, passing round to the front after leaving our
horses at the gate, we entered a spacious _patio_, or yard. Running
along the front of the dwelling was a wide corridor, supported by wooden
pillars, painted white, while the whole of the _patio_ was shaded by
an immense grape-vine. This was evidently one of the best houses in the
place, and, coming directly from the glaring sun and the white, dusty
road, the vine-shaded _patio_ and corridor looked delightfully cool and
inviting. A gay company of twelve or fifteen people were gathered under
the corridor, some sipping _maté_, others sucking grapes; and when
we came on the scene a young lady was just finishing a song she was
singing. I at once singled out General Santa Coloma, sitting by
the young lady with the guitar--a tall, imposing man, with somewhat
irregular features, and a bronzed, weather-beaten face. He was booted
and spurred, and over his uniform wore a white silk _poncho_ with
purple fringe. I judged from his countenance that he was not a stern or
truculent man, as one expects a Caudillo--a leader of men--in the Banda
Orientál to be: and, remembering that in a few minutes he would be
leaving the house, I was anxious to push forward and state my case
to him. The others, however, prevented me, for the General just then
happened to be engaged in a vivacious conversation with the young lady
sitting by him. When I had once looked attentively at this girl I had
eyes for no other face there. The type was Spanish, and I have never
seen a more perfect face of the kind; a wealth of blue-black hair
shading the low, broad forehead, straight nose, dark, luminous eyes,
and crimson, pouting lips. She was tall, perfect in her figure as in her
face, and wore a white dress with a deep red China rose on her bosom for
only ornament. Standing there unnoticed at the end of the corridor,
I gazed with a kind of fascination on her, listening to her light,
rippling laughter and lively talk, watching her graceful gestures, her
sparkling eyes, and damask cheeks flushed with excitement. Here is a
woman, I thought with a sigh--I felt a slight twinge at that disloyal
sigh--I could have worshipped. She was pressing the guitar on the
General.
“You have promised to sing one song before you go, and I cannot let you
off,” she exclaimed.
At length he took the instrument, protesting that his voice was a very
bad one; then, sweeping the strings, began that fine old Spanish song of
love and war:
“_Cuando suena la trompa guerrera_.”
Public-domain text, read in full here on John Shaqi.
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