The next instant, however, he was another man, calm, gentle, smiling.
He released her hand, with the words: "I don't want to bother you none,
though, or make you go home. Stay another week, and try me. I'll do
like you say--be just friends. I got a lot to do this week, getting out
timber, and maybe I can kindly work you off my mind."
"I don't doubt you can if you try," said Isabel; "I'll give you the
chance, anyhow. You see, I know I am very much needed in the work
here, and really don't want to leave."
He helped her into the saddle, and they rode on as rapidly as possible,
in the effort to catch up with the crowd.
VIII
MOONSHINE
The night of the women's return from the funeral occasion, there was
again some shooting down in the village, as there had been the night
previous; and the women feared that Billy Lee was one of the culprits,
as Lethie came up in his place to milk their cow next morning.
They were much troubled; and as Uncle Ephraim Kent, on account of
rheumatism, was unable to come to his reading lesson Monday morning,
Amy and Virginia, accompanied by Isabel, went across Troublesome after
dinner, to consult with him on the subject. The Kent lands extended for
a mile or two along the far side of the creek, and Uncle Ephraim's home
was in a hollow opposite the village. They crossed on a long footlog,
which was chained to a great water-elm on Uncle Ephraim's bank, so that
it should not be entirely carried away by "tides."
The old man was sitting just inside the doorway of his ancient log
house, trousers rolled up, and his legs, from the knee down, bound in
red flannel. His wife placed chairs. It was Isabel's first visit to his
home, and her eyes flew at once to the long old muzzle-loading rifle
and the strange musical instrument that hung over his "fireboard," and
as soon as possible she asked him about them.
The rifle, it appeared, had been the one used by his "grandsir," the
old Cap'n, when he "fit under Washington"; the dulcimer he himself had
made when a young man courting his first wife (the present one was his
second).
"Dulcimores," he said, "used to be the onliest music in this country;
the knowledge how to make 'em and pick on 'em was fotched in by our
forebears. But banjos and fiddles has nigh run 'em out now."
At Isabel's urging, he picked a tune on the old dulcimer, laying it
across his knees and using two quills, one to "note" with, and one to
pick with. The music was like the droning of a million mosquitoes.
Public-domain text, read in full here on John Shaqi.
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