The Quarterly Journal of Science, Literature and the Arts, July-December, 1827Various
Science
The Quarterly Journal of Science, Literature and the Arts, July-December, 1827
Various
Arts -- Periodicals; Science -- Periodicals; Technology -- Periodicals
To return to Manetho:—amongst the monarchs of the original Egyptian
race there was one named by him Amenophis, (the eighth king of the
eighteenth dynasty,) of whom it is stated, in a note of Manetho’s
preserved by Syncellus, that he was the Egyptian king whom the Greeks
called Memnon. The statue of Memnon at Thebes, celebrated through
all antiquity for the melodious sounds which it was said to render
at sunrise, is identified in the present day by a multitude of Greek
inscriptions; one of which, in particular, records the attestation of
Publius Balbinus, who visited the ruins of Thebes in the suite of the
empress the wife of Adrian, to his having himself heard the “divine
sounds of Memnon or Phamenoph;” which latter name is Amenophis, with
the Egyptian masculine article φ prefixed, and omitting the Greek
termination. The hieroglyphics carved on the statue, and coeval
with its date, had been very carefully copied by the French whilst
in possession of Egypt, and were engraved in the splendid work, the
_Description de l’Egypte_, to which their researches had given rise.
These hieroglyphics contain the alphabetic characters Amnf (being the
initial vowel and all the consonants of the name Amenof) inclosed
within a ring; a distinction which had been previously observed to
take place with the names of the Roman emperors, and of the Grecian
kings and queens; and as the rings have hitherto been found to occur
in no other instance whatsoever than when containing the names and
titles of sovereigns, they are regarded as characteristic signs.
It should be remarked, that in the hieroglyphic writing, as in the
languages of other eastern nations most nearly connected with Egypt,
the vowels are often omitted, and when expressed, have not always a
fixed sound. The coincidence of the reading of the hieroglyphic name
with that recorded by Manetho, and with the Greek inscription on
the statue itself, was so far confirmatory of Manetho’s authority;
it was also highly interesting in the evidence it afforded of the
employment of the same hieroglyphic alphabet, that was in after
use in the times of the Ptolemies and the Cæsars, even in the very
early periods of the Egyptian monarchy; for the reign of Amenophis
was in the dynasty preceding that of Sesostris: it also indicated
the further [p182] advantage to be gained by the application of
the alphabet in decyphering other proper names, distinguished by
being inclosed in rings, existing on other statues, and in the more
ancient temples generally. Considerable progress had been made
in reading these, which in several instances had been found to
correspond with the names of the kings of the same and of subsequent
dynasties to Amenophis, as given by Manetho, when a most important
discovery was made of the existence of a genealogical record, in
hieroglyphics, of the titles of thirty-nine kings anterior to
Sesostris, chronologically arranged. We have already noticed that the
Public-domain text, read in full here on John Shaqi.
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