The Quarterly Journal of Science, Literature and the Arts, July-December, 1827Various
Science
The Quarterly Journal of Science, Literature and the Arts, July-December, 1827
Various
Arts -- Periodicals; Science -- Periodicals; Technology -- Periodicals
It would exceed our limits, and it is not our purpose, to trace
in detail the successive steps by which the existence of each of
the kings of Manetho’s list, from the expulsion of the Phœnician
shepherds from Lower Egypt, and the consequent union of Upper and
Lower Egypt in a single monarchy, to the reign of Sesostris, has been
attested by the monuments. Suffice it to say, that the same number of
individuals as stated by Manetho, namely, eighteen, filling a space
of four centuries, are shown, by the monuments, to have reigned in
that interval, and to have borne the same relationship, as well as
succession, to each other, as is expressed by the historian: that,
of the eighteen names, eight in different parts of the list are read
on the monuments identically as in the historical record; and that
in regard to the names that are not identical, we have the testimony
of Manetho that some amongst the kings, Sesostris, for example, were
known by two and even by more names. The table of Abydus appears to
have been strictly a genealogical record; a record of generations, in
which view it is strictly accordant with the historian.
The period of the Egyptian annals on which this light has been
thrown, is precisely that which might have been selected in the
whole history of Egypt as the most desirable for such purpose.
Independently of its very high antiquity, it was the period of the
greatest splendour and power of the native Egyptian monarchy, and
of the highest (Egyptian) cultivation of the arts. The greater part
of the more ancient, and by far the most admirable in execution,
of the temples, palaces, and statues, which still attest by their
ruins their former magnificence, are the work of that age; and
the hieroglyphic inscriptions still [p184] extant on them, and
which, when not defaced by wanton injury, are almost as perfect
as when first executed, make known the reigns in which they were
respectively constructed, and frequently the purposes for which
they were designed. This is in itself no small achievement, when we
reflect that these extraordinary remains of ancient art were equally
the objects of vague wonderment in the times of the Roman emperors,
as they were in those of the generation preceding ourselves; but
that they are become to us objects of a more enlightened curiosity,
which they promise amply to repay, when the study that has already
made known their founders, shall reveal the signification of the
hieroglyphic histories, with which the walls of the palaces and
temples are covered. Already have we gained some very important
facts in regard to the condition, political and otherwise, of the
countries adjoining to Egypt at that early period. The monuments
of Nubia are covered with hieroglyphics, perfectly similar both in
form and disposition to those on the edifices at Thebes; the same
elements, the same formulæ, the same language; and the names of the
kings who elevated the most ancient amongst them, are those of the
Public-domain text, read in full here on John Shaqi.
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