The Quarterly Journal of Science, Literature and the Arts, July-December, 1827Various
Science
The Quarterly Journal of Science, Literature and the Arts, July-December, 1827
Various
Arts -- Periodicals; Science -- Periodicals; Technology -- Periodicals
manganese, when the supernatant acid was removed, continued to evolve
chlorine.”
In this experiment my object was effectually to purify the manganese
used from any soluble muriate which might by possibility have been
mixed with it: I did not, however, test the water _first_ used in
washing it, but merely that which was _last_ removed from it.
Mr. Phillips proceeds to observe that he had prepared some
observations, and at considerable length, _to prove_ that the author
of the above paper has been completely misled by “forced analogies”
and “erroneous experiments;” but that it _afterwards_ occurred to
him, that it would be better to show, in a few words, the real source
of the chlorine in question, the evolution of which from peroxide of
manganese _he had noticed some time previous to the publication of
my papers_. That with this view he had procured various specimens of
the peroxide of manganese, (one of them in the crystallized state,)
which were reduced to powder, and on the addition of sulphuric
acid, chlorine was evolved from each. That he then washed separate
portions of them with distilled water, and on the addition of nitrate
of silver to the washings, chloride of silver was immediately
precipitated: sulphuric acid being poured upon the washed peroxide,
no chlorine whatever was evolved. That he further added sulphuric
acid to an unwashed portion, and to one which had [p260] been
washed, and referred both to a _bystander_, who immediately detected
the odour of chlorine in the former, but not in the latter. He then
proceeds to show that the specimens of manganese which he had made
the subject of this experiment contained a portion of lime, and
he infers that the black oxide of manganese consequently contains
muriate of lime.
Public-domain text, read in full here on John Shaqi.
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