The Queen of the Savannah: A Story of the Mexican WarAimard, Gustave
History
The Queen of the Savannah: A Story of the Mexican War
Aimard, Gustave
Mexico -- History -- Wars of Independence, 1810-1821 -- Fiction
With a movement rapid as thought, she drew a vial from her bosom,
and threw a portion of the contents upon the Indian who was standing
motionless a couple of yards from her. The redskin uttered a terrible
yell, raised his hands to his face, and, falling to the ground, writhed
in fearful agony. The Comanches were alarmed. Although they had seen
Doña Emilia's motion, the vial she held in her hand was too small for
them to notice it. Not knowing to what they should attribute their
comrade's fall, all their superstitious terrors returned to them. They
rushed towards the wounded man; his face was horribly burnt. They
uttered a cry of horror, and fled in all directions, having but one
thought, that of escaping as rapidly as possible from the glances of
this strange creature, who by a mere gesture could produce death.
"Come, come, my daughter," Doña Emilia said; and dragging Doña Diana,
who mechanically followed her, she ran off to the spot where the horses
of the Indians were hobbled. The miracle performed by Doña Emilia
was very simple. Being incessantly exposed to fall into the hands
of the redskins, she always carried about her a vial of sulphuric
acid--probably intended to destroy her own life, in the event of the
Indians resolving to torture her, after their wont, if she fell into
their power. The desire of saving her daughter suggested to her this
way of displaying her power, and inspiring these stupid men with a
terror of which she would take advantage. The experiment was perfectly
successful.
The two ladies hurried down the hill, leaving behind them the unhappy
man, who was uttering atrocious yells, and reached the spot where the
horses were tied up. With a decision which could only be expected from
an exalted character like that of Doña Emilia, she cut the thongs of
two horses, lifted her daughter on one, and herself leapt on the back
of the other.
"Thank heaven," she exclaimed, with an outburst of delight, "we are
saved!"
"Not yet," a voice, gloomy as a death-knell, replied.
Several men dashed out of the chaparral, caught the horses' bridles,
and stopped them dead, at the moment when Doña Emilia was about to
start. These men, who appeared so suddenly, and so unfortunately for
the two fugitives, were the Stag and the warriors who had set out in
search of him. Falling at once from a paroxysm of joy into the last
stage of despair, Doña Emilia and her daughter endured frightful
suffering, and in a second passed through all the agonies of despair.
Public-domain text, read in full here on John Shaqi.
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