The Queen of the Savannah: A Story of the Mexican WarAimard, Gustave
History
The Queen of the Savannah: A Story of the Mexican War
Aimard, Gustave
Mexico -- History -- Wars of Independence, 1810-1821 -- Fiction
"Stay," said Oliver, noticing Running Water lying a few paces from him
covered with wounds, "do not kill that man, he is an old acquaintance
of mine."
The hunter had placed Doña Diana in her father's arms. Don Aníbal,
delighted at seeing his daughter saved, but rendered desperate by the
death of his wife, whose agony had already begun, was striving, by all
the means in his power, to recall her to life.
"Good-bye," Doña Emilia murmured in a dying voice, as she gently
pressed the hands of her daughter and her husband; "our daughter will
console you for the loss of me. I die happy, because I died in saving
her."
And gently laying her head on her husband's shoulder, she gave back her
soul, still trying to smile on those whom she was leaving for ever.
It was after confiding Doña Diana to her father that Clary noticed
Running Water. Count de Melgosa was lying by the side of the old
sachem, with a lance thrust through his thigh. The hunters were
preparing to remove the count to a more convenient spot, but the
sachem, who had hitherto remained motionless, with his eyes closed as
if he were already dead, gave a sudden start, and raised his head.
"One moment," he said, rising on his elbow with a great effort, "let me
say a couple of words to this man."
The count ordered the hunters to withdraw.
"Chief, I am grieved to see you in this state," the Canadian said
compassionately, for he remembered the sachem's kind reception; "let me
bind up your wounds, and then you can speak at your ease."
"What good!" the chief answered bitterly; "I feel death approaching;
its black wings are already spread out over my eyes; do not torment me."
"Let him speak," the count interrupted, "perhaps what he has to say to
me may be more important than we suspect."
"Yes, yes," the chief continued with a groan, "much more than you
believe."
And with a supreme effort he placed his face close to the count's,
exclaiming with an expression of deadly hatred--
"Do you recognize me?"
"No," the count answered, after gazing fixedly at him.
The features of the old chief, already nearly decomposed by the advent
of death, assumed a sinister expression.
"You do not recognize me," he said in a hollow voice, "and yet you
are my enemy. My hand has fallen heavily upon you. You remember your
brother's horrible death? Well, it was I who killed him. Oh! A portion
of my vengeance has escaped me today, it is true, but my soul will not
fly away alone to our happy hunting grounds. This woman, the Queen of
the Savannah, and her daughter are dead. I have, therefore, gained my
object."
"You are mistaken, chief," honest Clary interrupted him, scandalized
by the Indian's language at such a moment; "although the Queen of the
Savannah, as you call Doña Emilia, is dead, I was so fortunate as to
save her daughter."
A convulsive quivering ran over the Indian's body; he gave the hunter
an angry look, but almost immediately resumed, with a triumphant look--
Public-domain text, read in full here on John Shaqi.
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