The Queen of the Savannah: A Story of the Mexican WarAimard, Gustave
History
The Queen of the Savannah: A Story of the Mexican War
Aimard, Gustave
Mexico -- History -- Wars of Independence, 1810-1821 -- Fiction
In this room, which looked more like an oratory than a drawing room,
and which opened on a bedroom, the furniture of which was extremely
plain, two ladies were seated near a window, and conversing in a low
voice, at the moment when the exigencies of our narrative compel us
to join them. Of these two, one had passed the age of thirty--that
critical period for Spanish women; but although her face was pale as
marble, and her features were worn with sorrow, it was easy to perceive
that she must have been very lovely once. The person who kept her
company was a light-haired, graceful, pale, and delicate girl. She
was endowed with the ideal and dreamy beauty which renders painters
desperate and which German poets have alone been able to describe. In
her calm, pensive features were found again the dreamy, restless, and
chaste physiognomy of Goethe's Marguerite, and the intoxicating and
impassioned smile of Schiller's pale creations.
These two ladies were mother and daughter. Doña Emilia de Saldibar and
Doña Diana. Their dress, through its severe simplicity, harmonized
perfectly with the expression of sorrow and melancholy spread over
their whole persons. They wore long gowns of black velvet, without
embroidery or ornaments, fastened round the waist by girdles of the
same colour. A rebozo of black lace covered their neck and chest, and
could, if necessary, be thrown over their heads, and hide their faces.
They were conversing in a low voice, looking out now and then absently
into the courtyard, in which were assembled the numerous peons of the
hacenderos who had responded to Don Aníbal's summons.
"No," Doña Emilia said, "no, my child, it is better to remain silent,
for this information is anything but positive."
"Still, mother," the young lady answered, "the man seemed thoroughly
acquainted with the whole story; and it appears to me, on the
contrary--"
"You are wrong, Diana," her mother interrupted, with some sternness
in her voice. "I know better than you what should be done under the
circumstances. Be careful, Niña. You take the affair too much to heart,
and let yourself be carried away."
The girl blushed, and bit her lips.
"You know how I love you, my child," Doña Emilia continued directly;
"so do not try to thwart what I do, as you are well aware I have but
one object, your happiness, so let me act as I think proper."
"My dear mother!" the young lady said affectionately.
"Yes," Doña Emilia replied with a cold smile, "I am your dear mother
when I yield to your importunities."
"Oh, do not say that, mother! You know what deep love I have for you."
"Yes I know it, and I know too that I do not alone occupy your heart."
Doña Diana turned her head away to hide the blush that suffused her
face at this remark; but her mother did not notice this emotion,
and continued, as if speaking to herself, instead of addressing her
daughter--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account