The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
General
The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
Moray, while he kept well with the Court, was careful not to offend the
prejudices of the strict Protestant party, in whose ranks he felt lay
his chief strength, and while he smiled with a melancholy forbearance
on the gaieties of his brothers and his royal half-sister, he never
forgot for an instant the character he had assumed, of the rigid
guardian and upholder of religion; the man in whom the ‘country might
have confidence,’ the prop and stay of ‘the godly’ through the length
and breadth of Scotland. His bride, a comely, laughing lass when she
married him, was obviously taming down, day by day, to the required
pattern of decorum. Like some flower denied the sunlight, she was
fading from her youthful colour and brightness, into that premature
old age which is so pitiful to witness--the waning of the heart and
feelings before the face is wrinkled or the locks are gray.
And now the crowd are driven from the enclosure by a score of
men-at-arms wearing the royal livery. As these push their well-trained
horses amongst the foot-people, much elbowing and squeezing is the
result. The _lads_, as Scotchmen are termed up to the most advanced
period of life, bear the jostling good-humouredly enough; the lasses
laugh and shriek, and display extraordinary unsteadiness, and an
unusual craving for protection and support. But the lists are cleared
at last, and the troop of mounted masquers come down like a whirlwind,
in line, till they reach the Queen’s gallery, when they wheel to right
and left from their centre, and sweeping round at the same pace, take
up their respective positions at either extremity of the lists.
In Her Majesty’s gallery eager eyes are watching their movements. The
Queen and her ladies criticise both steeds and horsemanship pretty
freely, wagering gloves and trinkets on the result, but Mary Carmichael
sits pale and silent, and sees everything in a mist, because she cannot
keep back her tears.
The ring is up, and borne off fairly by several of the cavaliers. All
acquit themselves with knightly prowess, but some of the horses are
unsteady, and Lord John Stuart shooting at a gallop past the object,
of which he has only struck the outer edge, encounters amongst the
spectators the laughing face of Mistress Alison Craig.
‘Fie on ye!’ exclaims that unabashed dame, loud enough for the
discomfited nobleman to hear; ‘an’ ye ride no better than that, ye’ll
never wear the orange and black in your bonnet again on Leith Sands!’
He cannot choose but laugh as he recalls his prowess the year before
among the citizens while carrying the colours of the mercer’s daughter,
and Mistress Alison with becoming modesty puts down her wimple to hide
the cheek that has long since forgotten how to blush.
Public-domain text, read in full here on John Shaqi.
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