The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
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The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
The only cheerful apartment in the castle was the guard-room; although
the night was dark and stormy, the wind sighing, and the waves beating
without, a huge wood-fire blazed and crackled in the ample chimney,
reddening the weather-beaten faces of the men-at-arms, and glancing
fitfully from their shining head-pieces and bright steel corslets.
Small care had these rude hearts for the weather without or the woe
within; the spray might dash against their casement, and the weary
prisoner moan his wrongs in the neighbouring cell.
‘What would you have? ’tis but the fortune of war,’ quoth the soldier;
‘my luck to-day, yours to-morrow; a bed of heather for this one, a lair
of straw for that; a free discharge and a fresh enlistment at last. Put
another log on the fire; I wish we had got something more to drink.’
Their captain sat somewhat apart, his head resting on his hand, and
his sheathed broadsword lying idle on the floor. As the flame flickered
on his forehead a frown seemed to pass and repass across its surface,
but his eyes were intently fixed on the red glow of the embers, and
perhaps he was drawing pictures that had no semblance of reality in
their glare.
A moody man of late was Alexander Ogilvy; once the best of comrades,
and the blithest of merry-makers, he was becoming captious,
contradictory, and quarrelsome. The hand stole to the sword-hilt now
on the lightest word of provocation, and although he was still ready
to pledge his brethren-in-arms with the wine cup, it seemed to be no
longer the desire of good fellowship that stimulated him, but a fierce
morose thirst that he was resolved to slake in gloomy defiance.
Perhaps some of the phantoms he was watching in the fire might have
accounted for this untoward change in the young soldier; perhaps it
was not pleasant to picture to himself in those glowing depths the
stately figure of Mary Beton, with her flowing skirts and quivering
ruff, bending her lofty head so graciously towards a sharp spare man,
in gorgeous apparel, with a clever face and a sneer, that if Ogilvy had
ever formed any idea of Mephistopheles, would have presented to his
mind’s eye the very expression of that sarcastic personage; perhaps it
did not enhance the harmony of the group to recognise in the hottest
corner a figure bearing a grotesque resemblance to himself, watching
the pair with jealous supervision, and presenting the undignified, if
not ridiculous exterior, of one who runs second in the race of love.
With a movement of impatience he drove his heavy heel against the logs,
dispelling the whole representation at a blow, and causing the fire to
burn out fiercely, and the sparks to fly in thousands up the chimney.
At this moment a man-at-arms entered the guard-room, and approaching
his captain informed him that two persons at the gate demanded
admittance.
‘Impossible,’ said Ogilvy; ‘the wicket is locked, and the watch set;
bid them go to the devil.’
Public-domain text, read in full here on John Shaqi.
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