The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
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The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
Within, an old oak-panelled chamber, hung here and there with faded
tapestry, once of priceless value, but now frayed and worn and coming
rapidly into rags; grotesque, gaunt ornaments are strewed about the
room, the spoils of predatory warfare on the Danish coast, brought
hither generations back by stern Sir Michael, the first Lord Admiral of
Scotland. Strange-looking arms and a ponderous axe or two are not in
character with the interior of a lady’s bower, nor do the grim figures
carved in wood that support the chimney on either side of the high wide
fireplace, the least resemble such cupids and other gentle symbols as
would be appropriate to the company and the occasion.
Bending over her work, the Queen’s blushes come and go with a degree of
graceful embarrassment that is not unmarked by her attendants. These
are around her as usual, and, like their mistress, occupy their fingers
with considerable energy, and doubtless allow their thoughts to stray
far and wide during the task. We of the sterner sex have probably not
the faintest idea of the comfort derived by woman from her natural
weapon, the needle.
It is well known, we are told, to physiologists, and the fact is not
lost sight of in our treatment of the insane, that manual labour
requiring a moderate amount of attention, such as the prosecution of
a handicraft, has a remarkably composing tendency on the mind; but
carpentering is perhaps the only male pursuit which combines the exact
proportions of physical and mental exertion supposed to produce such
beneficial results. Few men, however, are carpenters, whereas, speaking
in general times, all women can sew, and the very act of stitching we
believe to be a complete and unfailing anodyne. The delicate fingers
bend unconsciously to their task; the white hand flies to and fro
as the dove flew round the Ark seeking the olive-branch on which it
should find rest at last; the gentle head bends lower and lower, while
thoughts, humbled by sorrow and chastened by resignation, wander
further and further away. Presently the tears are dropping fast upon
the pattern, be it the beads of a queen’s embroidery or the hem of a
peasant’s smock; but like summer showers they do but clear the sky when
they are over, and ere the hair is shook back, and the loving face
looks up to thread the needle afresh, all is sunshine and peace once
more.
Perhaps no woman of any degree had oftener occasion to practise
this healing occupation than ill-fated Mary Stuart, destined to a
pre-eminence in suffering as in beauty.
The only male attendant on the Queen was David Riccio. Splendidly
dressed in the thickest velvet that could be procured, that poor little
Italian shivered in a corner of the ample fireplace, preserving, to
his credit be it said, his southern good-humour even in the rigours of
a cold, raw climate, which, to use an expression from his own land,
seemed ‘to loosen every tooth in his head.’
Public-domain text, read in full here on John Shaqi.
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