The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
General
The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
When Ralph used to bring his prisoner a draught of wine, he would
sometimes, if in a particularly good humour, condescend to stay for a
few minutes and help him to partake of it. On these occasions Maxwell,
by a studiously quiet and even languid demeanour, contrived to throw
his jailer completely off his guard.
One day he requested the wine might be left with him to cheer his
solitude when his agreeable friend was gone; another time he complained
of indisposition, but thought he might relish a cup towards nightfall.
By degrees he collected a Scottish pint or so of strong red wine in a
stone jar that he had begged might be applied to the purpose.
The weather was very hot; even in a dungeon its inmate could tell
that the summer sun was glowing bright and fierce without. Old Ralph
arrived, according to custom, with his prisoner’s afternoon meal, and
sat himself down on the stone floor like a man thoroughly overcome with
his exertions.
‘Take a draught of wine, man,’ said Maxwell, pointing to the jar; ‘’t
the coolest place in the castle here, and by St Andrew the prisoner
hath the best of it to-day.’
The old man smiled grimly; then he took a hearty pull, as desired, and
set the vessel down with a sigh of great satisfaction.
‘An old man’s bluid aye wants warmin’,’ said he, looking pensively
into the vessel the while; ‘but I’ve kent it far hotter ower sea. When
I was in Flanders wi’ Norman Leslie, ye ken;--aye! he was a wild lad,
Norman, but a bra’ soldier, fair sir, a bra’ soldier as ever belted on
a brand!--aweel, whan I was in Flanders wi’ Norman----;’ and forthwith
the old man embarked upon a long story of which gallant Norman Leslie
was the hero, moistening his narrative at frequent intervals with
draughts of the strong red wine, and Maxwell watched with strung nerves
and beating heart, how his eye grew dimmer and his speech more laboured
as the tale progressed and the contents of the vessel waned.
Nevertheless the door was locked on the inside, and the jailer’s
fingers kept an instinctive grasp upon his keys. Once, catching
Maxwell’s eye fixed on these implements, he shifted them suddenly into
the hand farthest from his prisoner, although in the act he interrupted
himself in an elaborate description of a certain blue velvet surcoat,
by which Norman Leslie set much store, and did not again recover the
thread of his recollections until he had discovered that the wine was
done, and it was time for him to be gone.
But it was obviously necessary to lull his suspicions and induce him to
remain a few minutes longer.
‘I should like to hear how that surcoat was finished and embroidered,’
said Maxwell, with an affectation of interest. ‘The time of my release
is drawing near,’ he added, ‘and when I go out I should wish to have
one of the same colour and conceit.’
He spoke in so matter-of-fact a tone that old Ralph was thrown
completely off his guard.
Public-domain text, read in full here on John Shaqi.
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