The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
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The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
Prosperity goes to church, as well it may, to return thanks for the
benefits it has received; to fulfil, as it were, its own part of the
compact by which it flourishes; to acknowledge its advantages and to
entreat their continuance; then it walks back into the sunshine in
its purple and fine linen, with a pleasant consciousness of debts
discharged and duties well fulfilled. Not so its ailing brother,
gaunt Adversity. For the latter the temple of God is the temple of
refuge, the temple of healing, the temple of consolation; thither it
may bring its sores and its sackcloth, without misgivings and without
shame; there it is on a level with the proudest, and in unison with
the happiest; it drinks from the same stream, and out of the same cup;
it returns to its labour and its sorrow, strengthened and refreshed.
Though the heart be aching, it is sound and unbroken still; and the
storms may pelt their fiercest, it only longs the more to come again.
As the anthem proceeded the Scottish Queen became aware that another
voice had been added to her choir, of considerable depth and volume,
thereby completing its harmony and greatly enhancing its effect. This
organ was the property of an individual whose unfortunate destiny it
was to make a far greater stir at the court of Holyrood than became
either his talents or his station, and to meet with a fate which his
antecedents did not deserve.
In the train of the Count de Moretta, ambassador from the court of
Savoy, the Duke of which principality was another unsuccessful suitor
for the hand of the Scottish Queen, came a good-humoured little
Italian, David Riccio by name, whose especial gifts at this period seem
to have been a knack of mimicry, not unusual among his countrymen, and
a fine bass voice of great power and sweetness.
These were the qualities that first recommended him to the notice of
Mary; and when, in addition to his musical acquirements, she found
him quick-witted, ready and obliging, fluent with the pen, and a
perfect master of the French language, she promoted the good-humoured,
deformed, and diminutive foreigner to the post of private secretary,
little dreaming of the construction which would hereafter be put upon
so harmless an appointment.
In the meantime Riccio revelled in the exercise of his delightful
talent--filling the crape-hung building with his notes of mournful
melody--and Mary listened entranced, and forgot for the moment her
troubles, her widowhood, and her crown.
Public-domain text, read in full here on John Shaqi.
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