The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
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The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
But the charms of music, and even the consolations of religion, can but
stave off earthly cares for a brief period of repose, after which they
are prone to thrust themselves on our notice with a vigour all the more
imperative for such temporary respite. When mass was concluded, and
Mary, with her maid-of-honour, was about to quit the chapel, she could
not but observe how none, save her immediate attendants and personal
household, had assisted to form the congregation; how the nobility
of her court, with but few exceptions, had remained outside, with a
certain ostentatious assumption of dissent from the religion of their
Queen. She could not help remarking as much to her attendant.
‘Do you not see, my dear,’ said she, bitterly, ‘how the new religion
is disposed to charity and toleration? My Protestant lords will not
even join in the devotions of their Sovereign, when she prays for the
welfare of her husband’s soul. They will not “weep with those who
weep,” nor “rejoice with those who rejoice,” unless it be by Master
Knox’s permission, and in black cassock and Geneva band. Verily,
Mary Hamilton, it is a weary lot to be a woman, but it is a daily
humiliation to be a Queen!’
‘I know not what a Queen’s trials may be, madam,’ answered the other,
on whose sweet face the halo of devotion had not yet faded away; ‘but a
woman’s sorrows, I fancy, may be too hard for a woman to bear, unless
she brings them with her unreservedly and lays them all down here.’
While she spoke she stood near the chapel-door, and the December sun,
shedding its rays through the deep red cross of the stained window
above, streamed full upon her fair and gentle face. It seemed to her
mistress, even then, that she looked like some patient saint, purified
by suffering, and bearing the cross of her Master in the red glory of
martyrdom.
But such holy thoughts as these were soon driven from Mary’s mind
by fresh annoyances. On leaving her chapel, and emerging into the
courtyard of her palace, the Queen found it crowded by an assemblage of
her nobility, whose motley apparel, of the gayest and gaudiest hues,
contrasted offensively with her own sad mourning garb. Not one of
them had shown sufficient sympathy with her feelings to wear so much
as a black ribbon on his doublet, or to doff the plume that flaunted
from his rich velvet bonnet. Stung to the quick by such disrespect,
Mary determined to meet it by an insult as injudicious as it was
unworthy. Halting on the threshold of her chapel, she took not the
slightest notice of the salutations offered her by the proudest lords
in Scotland, but beckoned to the new singer, whose voice had recently
so much delighted her, and giving him her missal to carry, complimented
him with marked familiarity on his performance; and so, holding the
astonished Italian in conversation at the chapel-door, kept every one
else waiting uncovered until she had done with him.
Public-domain text, read in full here on John Shaqi.
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