The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
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The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
Lord James walked gravely away to Mr Randolph’s lodging. His brother,
the gay lay-prior of Coldinghame, mounted his horse to join a
merry-making on Leith sands. The Earl of Huntly and the Earl Mareschal
departed to prepare an ordinance for the council, discussing, to
all appearance, weighty matters of state; yet, perhaps, could their
dialogue have been overheard, it related to far less important topics.
The courtyard of the palace was almost deserted, and Mary, dismissing
her maid-of-honour and the Italian, prepared to take a solitary turn up
and down the cloisters, to soothe her temper and compose her troubled
mind.
The Queen thought she was alone. It was not so, however; for, from
the moment of her leaving the chapel, her movements had been watched
by a man concealed behind one of the arches; and no sooner had her
attendants quitted her than he emerged from his hiding-place.
Mary started, and almost screamed, as this unexpected figure stepped
forth and stood in front of her. Indeed, a bolder nature might have
been alarmed at its wild appearance and the vehemence of its gestures.
Pale and haggard, all unbraced, and with disordered dress--but unarmed,
even to his sword--the Earl of Arran confronted Mary Stuart with none
of the ceremony observed by a subject in the presence of his Queen.
‘At last!’ he shouted, with passionate vehemence, and placing himself
so that she could not pass by him,--‘at last I see thee once more.
After weary hours of watching by night and day, after danger and
difficulty and longing, I see thee once more. No longer the Queen of
Scotland, surrounded by her court, and haughty in all the panoply of
royalty, but Mary Stuart, the flower of womanhood, the darling of
France, and the idol of Arran’s heart.’
‘What mean you, my lord?’ exclaimed the Queen, utterly aghast at this
unheard-of proceeding, and hardly knowing, in her astonishment, whether
to stand or fly. ‘Are you mad or dreaming? I am, indeed, Mary Stuart,
and it is not thus I should be accosted by the Earl of Arran.’
‘Mad!’ returned the unfortunate nobleman, the wild cunning of insanity
gleaming from his eye, and pointing with his wasted hand to the
palace windows as he spoke. ‘Hark ye, madam; they are mad up yonder.
Mad from vaults to roof of this accursed building, this stronghold
of superstition and Papacy. The Lord James is mad, who would deliver
his sister into the hands of the ungodly; the priests are mad, who
would withhold her, by main force, from the tidings of salvation;
the choristers are mad, singing their unholy dirges for the souls
that are gone to perdition. Mary! Mary!’--he changed to accents of
wild affection and entreaty--‘I alone am devoted to you. The house of
Hamilton is the only refuge for the Stuart.’
Public-domain text, read in full here on John Shaqi.
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