This extinct bird was a native of Mauritius, in the Indo-African Ocean, and was first described by Van Neck, a Dutchman, in 1598, in which year a living specimen was embarked for Holland, but died on its way. This specimen is supposed to have been preserved at Leyden; and one of the feet is believed to be that in the British Museum. Several successive voyagers mention the bird, down to Canche, in 1638, in which year a living dodo was brought to England by Sir Hamon l'Estrange, who describes the back as of "dunn or deare colour." It was exhibited for money in London, in a house which bore a figure of the bird represented on canvas. This specimen has been traced to Tradescant's Museum at Lambeth, whence it was conveyed, in 1682, to Oxford by Ashmole. The body and a leg were destroyed by vermin before 1775, but the other leg and the head are preserved to this day in the Ashmolean Museum, in which place there also is a large drawing of a dodo, taken from nature, by John Savery. It was not related to the ostrich or the vulture, as many have supposed, but was closely allied to the pigeons and the solitaire bird seen by Leguat in the Island of Rodrigeux in 1691.—_Wells._ _An Old Gander._ Willoughby states, in his work on Ornithology, that a friend of his possessed a gander eighty years of age, which in the end became so ferocious that they were forced to kill it, in consequence of the havoc it committed in the barn-yard. He also mentions a swan three centuries old and several parrots that attained the age of one hundred and fifty years. _Chaffinch Contest._ At the town of Armentières, in France, there is a _fete du pays_, in which the chaffinch and its fellows are the chief actors and objects of attraction. Numbers of these birds are trained with the greatest care and no small share of cruelty, for they are frequently blinded by their owners, that their song may not be interrupted by the sight of any external object. The point upon which the amusement, the honor and the emolument rests is the number of times a bird will repeat his song in a given time. A day being fixed, the amateurs repair to the appointed place, each with his bird in a cage. The prize is then displayed, and the birds are placed in a row. A bird-fancier notes how many times each bird sings, and another verifies his notes. In the year 1812, a chaffinch repeated his song seven hundred times in one hour. Emulated by the songs of each other, they strain their little plumed throats, as if conscious that honor was to result from their exertions. _The Fabulous Roc._