France -- History -- Louis XV, 1715-1774 -- Fiction
They paused before a stage in front of a tent set among a group of elm
trees. A little group of townsfolk in their best clothes were watching
a marionette show that was nearly concluded. Above the tent fluttered
long red pennons against the blue sky and gold leaves; the stage was
hung at the back with white curtains and in front with a striped
tapestry of many colours, on the edge of which, where it trailed in
the golden dust, a man in green velvet with a comical painted face sat
beating a scarlet drum.
From the back of the tent sounded a brisk, lively music, to which the
puppets danced a _finale_, fluttering their laces and spangles.
Clémence laughed instinctively and laid her hand on Luc’s sleeve.
“Is it not beautiful?” she said. She had never been out of Aix in her
life, and never to a fair before: she was only eighteen.
The marionettes disappeared, and a little girl not above six years old
sprang on to the stage with a coil of rope in her hand.
“I should like to stay,” said Clémence.
There was a thin semicircle of seats about the stage; at one end of
this, in the front, they seated themselves.
The small performer deftly fastened the rope from one end to the other
of the stage, about five feet from the ground, and commenced walking
across it. She wore an apple-green coloured bodice and a white skirt
with a red frill; she had a small, dark face, and frowned down at the
rope with her arms spread wide and her body swaying.
Clémence leant forward and watched with grave absorption. Luc looked
at her, studied her with covert intensity, which she was too occupied
with the performance to notice.
Her face was slightly flushed, the lips parted, the absorbed eyes
shaded by the brim of her straw hat; between her warm-coloured, fine
neck and the frilled cambric of her fichu rolled a cluster of brown
curls that caught the sunlight in threads of gold; her small and
helpless-looking hands, covered in fine black silk mittens, were
folded in her lap; the full folds of her pale violet silk gown fell
over the chair and touched the dust.
Luc marvelled at her. That adorable little face had never expressed
sorrow, weariness, depression, anger, or any sad passion; it was
untouched by yearning, longing--by any struggle; it was, save for
the full development of its beauty, the face of an infant; and yet
she had calmly pledged herself to the stormy virtues of constancy,
self-abnegation, self-sacrifice, unending fidelity--more than he had
ever asked of her.
Public-domain text, read in full here on John Shaqi.
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