France -- History -- Louis XV, 1715-1774 -- Fiction
He saw a man of no more than his own age, of the appearance of a
well-bred gentleman, dressed in a worn suit of dark red corded
tabinet, with a plain muslin shirt ruffled at the neck and wrists; he
wore a simple sword, ornamented by a bunch of steel tassels hanging
from the scabbard, and a lady’s handkerchief, deeply bordered with
lace, beneath the black band of his neck ribbon.
Owing to the way in which he sat and his attitude, with his head
slightly bent, Luc could not clearly distinguish his features; but his
hair, which was a bright brown, inclined to reddish, and gathered into
a club, was full in the meagre light of the window.
“In what way can I serve you, Monsieur?” asked the Marquis. He was
slightly interested, slightly diverted, but weary mentally and languid
after his sleepless night. His pure, proud face was thrown up by the
strengthening dawn against the old black chair in which he sat, and
his deep grey eyes rested on the other with perfect courtesy and
perfect serenity.
“I am the Marquis de Vauvenargues, formerly of the _régiment du roi_,”
he said.
The young man moved suddenly, looped the curtain yet farther back, and
pulled his chair round so that the light fell over his face; it was
like taking a mask from his features, so suddenly were countenance and
personality revealed.
He had, as the Marquis noticed with a slight sense of horror,
something of the look of Georges d’Espagnac in his fair, regular
outline; but his expression was one of hopeless despair, keen
wretchedness, and bitter self-contempt. His light brown eyes were sunk
and shadowed, his mouth strained, his cheeks hollow; over his whole
face was a bluish tinge that contrasted with the bright colour of his
hair. This might have been caused by the chill, hard light of the
dawn, or the effect of ill-health. Whatever the reason of it, it gave
him a peculiar, ghastly appearance.
Luc sat forward in his chair; for the second time within a few
hours he was looking at an expression of absolute despair on a
young, fair face. He compared the two countenances--the seen and the
remembered--and there was this great difference in them, that, whereas
the noble in the pavilion had revealed the bitter languor of satiety,
the faded distaste of life caused by unending pleasure and cloying
luxury, this man looked like one who had burnt out his soul in some
useless endeavour, and was now on the verge of uttermost failure.
“Monsieur,” said the Marquis, not without a tremor in his tone, “why
did you ask my company?”
“Ah,” replied the other, in a voice that had retained more of its
youth and freshness than his face, “you are afraid that I am about to
disturb your tranquillity by some recital of grief; but you need not
be. And besides,” he added, “you are as serene as a very old monk who
has never left his cloister--I can see it in your eyes.”
“Not so serene,” replied Luc, “that I am not troubled by the sight of
despair, and I have looked on it before this night.”
Public-domain text, read in full here on John Shaqi.
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