France -- History -- Louis XV, 1715-1774 -- Fiction
While he was answering the respectful questions of the master of the
house concerning his brief acquaintance with the dead man, he had been
recalling his short stay in the painter’s chamber during the dawn of
this same day. Evidently the painter had drunk the poison before he
had asked for company, and Luc had been talking to a dying man who was
measuring his life by the grains of sand in an hour-glass; for Luc
recalled how he had taken up the hour-glass, and seeing that the sands
were nearly run through, had abruptly ended the interview.
Luc found himself picturing what had happened in the room after he had
left it. He had heard the door bolted--but afterwards the dying man
had altered that with some change of thought, probably when the idea
of his ironical letter occurred to him.
“He had a bitter humour,” thought Luc, with a sweet amaze. As for
himself, the melancholy, the disgust, and the pity roused in him
by the hopeless cynicism of the young painter’s sudden end had not
extinguished or even for a second damped the fires of his own ardour;
they only burnt the clearer and brighter in contrast with the gloom he
had just witnessed in two other human beings--the luxurious, soulless
youth and worn-out painter. He felt like a man walking on an upland in
the full light of the sun, while below him others struggled through
the mists and morasses, shadows and sloughs of a dismal valley, and
never lifted their eyes to the sun. He might look down on these
blinded people, he might pity, though he could not comfort them; but
they could not long trouble him nor put a shade across his bright path.
As he sat at the window watching the clean empty street, a very
handsome equipage swept round the corner, swinging on its leathers.
With a faint flush Luc recognized the liveries and arms of Carola
Koklinska, and when the coach drew up before the door his heart gave
a little lift into a region that knew not melancholy.
He saw one of her servants descending, and on a sudden impulse went
down himself. The house was still full of the tragedy, the modest
establishment disorganized; the doctor and the magistrate’s clerk
were busy in the chamber of the dead man. Luc met the lackey in the
doorway, and a sudden confusion seized him that perhaps the Countess
was not in the coach, or perhaps had not come to see him.
While he hesitated, the servant inquired if he was M. de Vauvenargues.
Luc responded, and added, “If your mistress is in the coach, I will
come and speak to her.”
Then, before the man could answer, he caught sight of the Countess at
the coach window, holding back the stamped leather blind.
Luc, bare-headed and with the sun shining in his loosely curled fine
hair, came to the coach step.
“I found out from M. de Biron where you were lodging,” said Carola,
“and called on my way back to Paris to leave a message for you,
Monsieur.”
She spoke in her usual cold, rather precise accents, and her delicate
face was rather sad and tired in expression.
Public-domain text, read in full here on John Shaqi.
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