The Quest of the Golden Girl: A RomanceLe Gallienne, Richard
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The Quest of the Golden Girl: A Romance
Le Gallienne, Richard
Love stories; Man-woman relationships -- Fiction
Now, I've never been able to do this in the convincing grand manner of
the British male; and whatever I have said, the effect has been the
same. I've talked about theatres and music-halls, of events of the
day, I've even--Heaven help me--talked of racing and football, but I
might as well have talked of Herbert Spencer. I suppose I didn't talk
about them in the right way. I'm sure it must be my fault somewhere,
for certainly they seem easy enough to please, poor things! However, my
failure remains, and sometimes even I find it extremely hard to attract
their attention in the ordinary way of business. I don't mind my
neighbour being preferred before me, but I do object to his being
served before me!
So, I say, I couldn't but tremble at the vision of those golden-haired
goddesses, standing with immobile faces by their awful altars. Indeed,
had I realised how superbly impressive they were going to be, I think I
must have declined the adventure altogether,--for, robed in lustrous
ivory-white linen were those figures of undress marble, the wealth of
their glorious bodies pressing out into bosoms magnificent as magnolias
(nobler lines and curves Greece herself has never known), towering in
throats of fluted alabaster, and flowering in coiffures of imperial
gold.
Nor was their temple less magnificent. To make it fair, Ruskin had
relit the seven lamps of architecture, and written the seven labours of
Hercules; for these windows through a whole youth Burne Jones had
worshipped painted glass at Oxford, and to breathe romance into these
frescos had Rossetti been born, and Dante born again. Men had gone to
prison and to death that this temple of Whiskey-and-Soda might be fair.
Strange, in truth, are the ministrations to which Beauty is called.
Out of the high heaven is she summoned, from mystic communion with her
own perfection, from majestic labours in the Sistine Chapel of the
Stars,--yea, she must put aside her gold-leaf and purples and leave
unfinished the very panels of the throne of God,--that Circe shall have
her palace, and her worshippers their gilded sty.
As there were at least a score of "worshippers" round each Circe, my
nervousness became unimportant, and therefore passed. Thus, as my
companion and I sat at one of the little tables, from which we might
gaze upon the sea without and Aphrodite within, my eyes were able to
fly like bees from one fair face to another. Finally, they settled upon
a Circe less besieged of the hoarse and grunting mob. She was
conspicuously less in height, her hair was rather bright red than
golden, and her face had more meanings than the faces of her fellows.
"Why," in a flash it came to me, "it's Rosalind!" and clean forgetting
to be shy, or polite to my companion, I hastened across to her, to be
greeted instantly in a manner so exclusively intimate that the little
crowd about her presently spread itself among the other crowds, and we
were left to talk alone.
Public-domain text, read in full here on John Shaqi.
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