Could there indeed be a more absurd impossibility? “Jesus,” says Bauer, “must perform these innumerable, these astounding miracles because, according to the view which the Gospels represent, He is the Messiah; He must perform them in order to prove Himself to be the Messiah—and yet no one recognises Him as the Messiah! That is the greatest miracle of all, that the people had not long ago recognised the Messiah in this wonder‐ worker. Jesus could only be held to be the Messiah in consequence of doing miracles; but He only began to do miracles when, in the faith of the early Church, He rose from the dead as Messiah, and the facts that He rose as Messiah and that He did miracles, are one and the same fact.” Mark, however, represents a Jesus who does miracles and who nevertheless does not thereby reveal Himself to be the Messiah. He was obliged so to represent Him, because he was conscious that Jesus was not recognised and acknowledged as Messiah by the people, nor even by His immediate followers, in the unhesitating fashion in which those of later times imagined Him to have been recognised. Mark’s conception and representation of the matter carried back into the past the later developments by which there finally arose a Christian community for which Jesus had become the Messiah. “Mark is also influenced by an artistic instinct which leads him to develop the main interest, the origin of the faith, gradually. It is only after the ministry of Jesus has extended over a considerable period, and is, indeed, drawing towards its close, that faith arises in the circle of the disciples; and it is only later still, when, in the person of the blind man at Jericho, a prototype of the great company of believers that was to be has hailed the Lord with a Messianic salutation, that, at the triumphal entry into Jerusalem, the faith of the people suddenly ripens and finds expression.” It is true, this artistic design is completely marred when Jesus does miracles which must have made Him known to every child as the Messiah. We cannot, therefore, blame Matthew very much if, while he retains this plan in its external outlines in a kind of mechanical way, he contradicts it somewhat awkwardly by making Jesus at an earlier point clearly designate Himself as Messiah and many recognise Him as such. And the Fourth Evangelist cannot be said to be destroying any very wonderful work of art when he gives the impression that from the very first any one who wished could recognise Jesus as the Messiah. Mark himself does not keep strictly to his own plan. He makes Jesus forbid His disciples to make known His Messiahship; how then does the multitude at Jerusalem recognise it so suddenly, after a single miracle which they had not even witnessed, and which was in no way different from others which He had done before? If that “chance multitude” in Jerusalem was capable of such sudden enlightenment it must have fallen from heaven!