Miracle, to which the Christian religion has always appealed, and to which it gives a quite fundamental importance, is the appropriate symbol of this false victory over the world. There are some wonderfully deep thoughts scattered through Bauer’s critical investigations. “Man’s realisation of his personality,” he says, “is the death of Nature, but in the sense that he can only bring about this death by the knowledge of Nature and its laws, that is to say from within, being himself essentially the annihilation and negation of Nature.... Spirit honours and recognises the worth of the very thing which it negates.... Spirit does not fume and bluster, and rage and rave against Nature, as it is supposed to do in miracle, for that would be the denial of its inner law, but quietly works its way through the antithesis. In short the death of Nature implied in the conscious realisation of personality is the resurrection of Nature in a nobler form, not the maltreatment, mockery, and insult to which it would be exposed by miracle.” Not only miracle, however, but the portrait of Jesus Christ as drawn in the Gospels, is a stereotyping of that false idea of victory over the world. The Christ of the Gospel history, thought of as a really historic figure, would be a figure at which humanity would shudder, a figure which could only inspire dismay and horror. The historical Jesus, if He really existed, can only have been One who reconciled in His own consciousness the antithesis which obsessed the Jewish mind, namely the separation between God and Man; He cannot in the process of removing this antithesis have called into existence a new principle of religious division and alienation; nor can He have shown the way of escape, by the principle of inwardness, from the bondage of the Law only to impose a new set of legal fetters.