In such moderate pleasuring the French summer began for the Major and his charges; so it continued, and so it ended; and late in September they began to talk about going home. "We really mean it this time," wrote Ardea in a letter to Martha Gordon. "I confess we are all a little homesick for America, and Paradise, and dear old Deer Trace Manor. The Farleys are settled for the remainder of the year or longer in a fine old palazzo on the Bay of Naples, and we have a very pressing invitation to go and help them inhabit it. But thus far we have not been tempted beyond our strength. Major Grandpa is talking more and more pointedly about the Morgan mares, and is growing a habit of comparison-drawing in which America profits at the expense of Europe; so I suppose by the time you are reading this we shall have made our sailing arrangements. Nevertheless, the Naples invitation is dying hard. Eva seems to have set her heart on having us for the winter." Ardea's figure of speech was no figure. The palazzo-sharing invitation did die hard; and when Miss Farley's letters failed, Mr. Vincent Farley made a journey to Paris for the express purpose of persuading the Dabneys to reconsider. Miss Euphrasia was neutral. The Major was homesick for a sight of his native Southland, but for Ardea's sake he generously concealed the symptoms--or thought he did. So the decision was finally left to Ardea. She said no, and adhered to it, partly because she knew her grandfather was pining for Paradise, and partly on her own account. Ardea at twenty was a young woman who might have made King Solomon pause with suspended pen when he was writing that saying about his inability to find one woman among a thousand. She was not beautiful beyond compare, as the Southern young woman is so likely to be under the pencil of her loyal limners. She had the Dabney nose, which was not quite classical, and the Courtenay mouth, well-lined and expressive, rather than too suggestive, of feminine softness. But her eyes were beautiful, and her luxuriant masses of copper-gold hair fitted her shapely head like a glorious aureole; also, she had that indefinable adorableness called charm, and the sweet, direct, childlike frankness of speech which is its characteristic. This was the external Ardea, known of men, and of those women who were large-minded enough not to envy her. But the inner Ardea was a being apart--high-seated, alone, self-sufficient in the sense that it saw too clearly to be hoodwinked, infinitely reasonable, with vision unclouded either by passion or the conventions. This inner Ardea knew Vincent Farley better than he knew himself: the small mind, the mask of outward correctness, the coldness of heart, the utter lack of the heroic soul-strength which, even in a brutal man, may sometimes draw and conquer and merge within itself the woman-soul that, yielding, still yields open-eyed and undeceived.