Lithgow, good fellow, sits by Miss Annie. Though he laughs now and then,
he still does not scorn the natural goodness, the natural tenderness of
heart, which make their appearance under these habitual
affectations--the juvenile tricks and levities of her unreverent age.
Poor Miss Annie Laurie has been content to resign the reverence, in a
vain attempt at equality; but Lithgow, who is no critic by nature,
remembers gratefully her true kindness, and smiles only as little as
possible at the fictitious youthfulness which Miss Annie herself has
come to believe in. So he sits and bears with her, her little follies
and weaknesses, and, in his unconscious humility, is magnanimous, and
does honour to his manhood. Within reach of his kindly eye, July bends
her head over her work, glancing up now and then furtively to see who is
looking at him--to see, in the second place, who is noticing or laughing
at her; and July, with all her innocent heart, is grateful to Miss
Annie. So many kind things she says--and in July’s guileless
apprehension they are all so true.
Graver, but not less happy, Menie Laurie pursues her occupation by
July’s side, rarely looking up at all, pondering in her own heart the
many weighty things that are to come, with her tremor of fear, her joy
of deliverance scarcely yet quieted, and all her heart and all her mind
engaged--in dreams no longer, but in sober thought; sober
thought--thoughts of great devotion, of life-long love and service, of
something nobler than the common life. Very serious are these
ponderings, coming down to common labours, the course of every day; and
Menie does not know the nature of her dreamings--they look to her so
real, so sober, and so true--and would scorn your warning, if you told
her that not the wildest story of Arabian genii was more romance than
those, her sober plans and thoughts.
Apart, and watching all, stands Randall Home. There is love in his
eye--you cannot doubt it--love and the impulse of protection, the
strong, appropriating grasp. There is something more. Look how his head
rises in the dimmer background above the table and the lights, above the
little company assembled there. With something like laughter, his eye
turns upon July--upon July’s wooer, his own friend--kindly, yet with a
sense of superiority, an involuntary elevation of himself above them
both. And this glance upon Miss Annie is mere scorn, nothing higher; and
his eye has scarcely had time to recover itself, when its look falls,
bright and softened, upon his betrothed; a look of love--question it
not, simple Menie--but is calm, superior above you still.
CHAPTER XXIV.
Public-domain text, read in full here on John Shaqi.
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