This vacant room--nothing can you learn from its calm good order, its
windows open to the sun, its undisturbed and home-like quiet, of what
passes within its walls. There is Menie’s little Bible on the table; it
is here where Menie brings her doubts and troubles, to resolve them, if
they may be resolved. But there is no whisper here to tell you what
happens to Menie, when, as has already chanced, some trouble comes upon
her which it is not easy to put away. Hush! this time the door opens
slowly, gravely--this time it is a footstep very sober, something
languid, which comes in; and Menie Laurie puts up her hand to her
forehead, as if a pain was there; but not a word says Menie Laurie’s
reverie--not a word. If she is sad, or if she is merry, there is no way
to know. She goes about her toilette like a piece of business, and gives
no sign.
But this month has passed almost like age upon Menie Laurie’s face. You
can see that grave thoughts are common now, everyday guests and friends
in her sobered life, and that she has begun to part with her romances of
joy and noble life--has begun to realise more truly what manner of
future it is which lies before her. Nothing evil, perhaps--little
hardship in it; no great share of labour, of poverty, or care--but no
longer the grand ideal life, the dream of youthful souls.
And now she stands before the window, wearing Jenny’s gown. It is only
to look out if any one is visible upon the road--but there is no
passenger yet approaching Heathbank, and Menie goes calmly down stairs.
As it happens, the drawing-room is quite vacant of all but Nelly Panton,
who sits prim by the wall in one corner. Nelly is not an invited guest,
but has come as a volunteer, in right of her brother’s invitation, and
Miss Annie shows her sense of the intrusion by leaving her alone.
“Na, I’m no gaun to bide very lang in London,” said Nelly. “Ye see, Miss
Menie, you’re an auld friend. I’m no sae blate, but I may tell you. I
didna come up here anes errand for my ain pleasure, but mostly to see
Johnnie, and to try if I couldna get ony word o’ a very decent lad, ane
Peter Drumlie, that belangs about our countryside. We were great
friends, him and me, and then we had an outcast--you’ll ken by
yoursel--but we’ve made it up again since I came to London, and I’m gaun
hame to get my providing, and comfort my mother a wee while, afore I
leave her athegither. It’s a real duty comforting folk’s mother, Miss
Menie. I’m sure I wouldna forget that for a’ the lads in the world.”
“And where are you to live, Nelly?” Nelly’s moralising scarcely called
for an answer.
“We havena just made up our minds; they say ae marriage aye makes mair,”
said Nelly, with a grim smile. “Miss Menie, you’ve set us a’ agaun.”
Perhaps Menie did not care to be classed with Nelly Panton. “July Home
will be a very young wife,” she said; “I think your brother should be
very happy with her, Nelly.”
Public-domain text, read in full here on John Shaqi.
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