The House Beautiful must needs be also the House Comfortable, if
we take true loveliness to consist of perfect fitness for service.
Thoroughness is the keynote of each. In order to strike it we
must have entered heart and soul into Ruskin's translation of St.
Ursula's Room. Carpaccio himself painted the useful in the beautiful
in this famous picture. From the princess's book, set up at a slope
fittest for reading, to the shelf which runs under the window,
providing a place to put things on--from a silver lamp on the white
wall to the little blue slippers beside her bed, each detail ensures
comfort of the first quality.
Comfort is a thing quite apart from fashion. So it is easier to
indicate the road which leads to the House Comfortable than it
was to point out details in the House Beautiful. We most of us
agree about the essentials required for real comfort: chairs upon
which you can sit fearlessly; beds which rest and do not bruise;
arms that support without cramping; pokers that bend not; strong
tables and sharp knives, these are a sample of the things I mean.
But true comfort depends on more than surface surroundings. It is
indissolubly linked with attention to detail. The houses to which
guests return time after time is the one in which soap is never
absent from its tray, and where pillows are not only covered with
frilled slips, but also stuffed with down and interlined with soft
covering in place of waxed ticking.
I would say, first of all, that the House Comfortable must stand
in a sunny situation. This ensures warmth and light, without which
our bodies are ill-nourished and miserable. "Where the sun never
comes the doctor does" is a much-to-be-quoted proverb. We cannot all
live exactly where we like. Circumstances of business, and means,
generally determine locality. But common-sense must guide us in the
selection of our houses. If we would be really comfortable, we must
live in light, dry, airy, and clean homes. Never take a house on
the sole recommendation of its pretty appearance. To have a really
beautiful house we must first see that it is essentially built for
comfort. The really useful and good is generally ornamental, for
it possesses the realistic beauty of _fitness_. A north and south
aspect for the chief sitting rooms, with east and west windows,
secures both sunshine and shade. We want afternoon coolness as well
as morning light. If our apartment looks towards the sun rising,
heavy curtains should be ready to draw when east wind rages. A stick
to effect this noiselessly is a small boon much appreciated. If our
casement faces the golden gates of the west, no such protection
is called for. But all windows should have double blinds--white
outside, to absorb heat, and dark inside, to veil the sun when
necessary. The comfort of lying in bed, facing a dark green blind
can only be estimated by those who have reluctantly been disturbed
by the too early shafts of the god Phoebus.
Public-domain text, read in full here on John Shaqi.
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