The Raid of Dover: A Romance of the Reign of Woman, A.D. 1940Ford, Douglas Morey
Science
The Raid of Dover: A Romance of the Reign of Woman, A.D. 1940
Ford, Douglas Morey
Imaginary wars and battles -- Fiction; Socialism -- Fiction; Women -- Suffrage -- Great Britain -- Fiction
"I implore you to come immediately. A matter of life and death."
Meanwhile, Jardine had settled his affairs, and finished with the
business of life. Like the King of old, he turned his face to the wall.
Yet startling things were occurring close at hand--strange occurrences
within this very city of Bath. To others they were sufficiently
alarming. Indeed, there had been something in the nature of a panic.
The first manifestation had taken place at the Grand Pump Room Hotel.
The King of Bath, if he could have come to his realm again, would have
encountered not a few surprises, and would have found the famous Hotel
transformed beyond all recognition. The examples of London, Paris, and
New York had been diligently followed. There was a stately Palm Court,
with marble columns and gilded cornices. Oriental rugs and luxurious
fauteuils had been lavishly provided. On a raised marble terrace,
during the dinner hour, a stringed band furnished an undercurrent for
the banal remarks of the diners. There were rooms in the Adams style,
rooms in the Louis the Sixteenth style, a Charles II. Smaller dining
Room, and a Smoking Room in the Elizabethan style--with ingle-nook and
heavy ceiling beams in oak. But the people who dined and chattered
and smoked amid these surroundings were not Elizabethan, Stuart, or
Georgian in style. They were the product of the twentieth century, and
were of no style at all; they lacked repose and dignity; they were
self-conscious, self-assertive; believers, and encouraged to believe,
in the powers of the almighty dollar, hustlers and bustlers, who rushed
hither and thither, and did this or that without knowledge and without
appreciation, and solely for the purpose of being able to say that they
had done it. Everything inanimate in this twentieth-century Bath Hotel
was very beautiful. There were skilful imitations of Adams, Sheraton,
and Chippendale; there were coloured marbles, trophies, garlands,
ornamentation of all sorts in gilt and bronze; decorative panels,
with consoles and mirrors everywhere,--everything being in elaborate
imitation of something else and something older.
But in one corner of the Grand Dining Hall was one thing real and
old--a fountain of Sulis water, which had been brought into a
decorative niche and enshrined amid elaborate allegorical figures which
nobody understood.
Public-domain text, read in full here on John Shaqi.
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