The Railway Man and His ChildrenOliphant, Mrs. (Margaret)
General
The Railway Man and His Children
Oliphant, Mrs. (Margaret)
Children of the rich -- Fiction; Families -- Fiction; Forgery -- Fiction; Scotland -- Fiction; Social classes -- Fiction
“It will be Archie,” she said to herself. Already, so quick is the
contagion of a new sentiment, Marion had begun to be dissatisfied about
Archie’s clothes. His coat was rough and badly made in comparison with
his father’s coat; his boots were clumsy, his linen dingy. All these
things she had found out for herself. Archie was not bad-looking: he was
rather handsome than the reverse; but he had not at all the same
appearance as his father, who was old and without any graces. This
Marion discovered all by herself. She had not attained to any such
enlightenment on her own account.
When they got out at Rosmore pier, other revelations began. They found a
dog-cart awaiting them with a beautiful horse and a groom, the
perfection of whose get up was more than words could tell, though they
were not learned enough to perceive that. Only a dog-cart!--Marion felt
that she was coming down from the glories of “the carriage;” but the
obsequiousness of everybody around reconciled her a little to the less
dignified vehicle. The drive through the woods overawed the young
people. They gave each other a look of unmingled gratification and
dismay. When they reached the house itself, the dismay perhaps was
uppermost, but they did not as yet venture to say a word. Nothing could
be more beautiful than the situation of the house, or the woods which
approached it, when everything was in the full height of summer; the sun
blazing over a country in which at almost every corner there was a burn
to toss back a dazzling ray. From the colonnade the view had been opened
a little by judicious clearing, and the broad Clyde, like a silver sea,
lay glistening at the foot of the knoll, with all its passing boats and
sails, and the background of the smoky but not unpicturesque town
throwing up its towers and spires on the other side of the estuary. They
were impressed for a moment in spite of themselves, and lingered looking
at the view while their father went indoors.
“It’s awfully bonnie,” said Archie.
“So it is,” said Marion, holding her breath a little. They stood side by
side overawed, not venturing to say any more. Indoors they were still
more silent, following their father from room to room. In every one of
them were workmen, and every kind of luxurious article was being added
to the original furniture. By-and-bye they became bewildered by the
number of rooms and their names--dining-rooms and drawing-rooms were
comprehensible, but the libraries, morning rooms, boudoirs, studies,
made their heads go around.
“And what’s this?” said Marion in bewilderment.
“This is Mrs. Rowland’s own sitting-room,” said a polite functionary
with what the young people characterised as an English accent.
“What does she want,” said Marion, almost angrily, “with another
sitting-room? when she’s got the dining-room and the drawing-room, the
morning-room and the library.”
Public-domain text, read in full here on John Shaqi.
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