The Railway Man and His ChildrenOliphant, Mrs. (Margaret)
General
The Railway Man and His Children
Oliphant, Mrs. (Margaret)
Children of the rich -- Fiction; Families -- Fiction; Forgery -- Fiction; Scotland -- Fiction; Social classes -- Fiction
“A ball! It is not Archie, I am sure, who would like a ball,” said Mrs.
Rowland from the sofa, where Eddy had been sitting by her, in an
attitude of respectful adoration for some time. He had cast repeated
startling glances at Marion, calling her observation while he was so
engaged. And Marion, seated at a distance with a book held up in front
of her face, gave way now and then to little bursts of laughter, which
she quickly repressed. It was infinitely ludicrous to Marion that any
one should pretend to advise Mrs. Rowland, a woman of that age; but
Eddy, she thought, played his part to perfection, and it was the
funniest thing in the world.
Rosamond was seated at the piano, playing as it were in an undertone,
and for her own pleasure, various bits of music, one suggesting another,
as one verse of poetry suggests another. She was a good musician, but
she did not attempt to play to so indifferent an audience, though
Rowland was always certainly civil in his desire to “have a little
music,” when he came into the drawing-room after dinner. The good man
knew that this was the right thing, and that Miss Saumarez would expect
to be asked, and sat and yawned dutifully through what he privately
thought to himself “just a terrible jingle,” out of respect to his
guest. But Rowland had not left the dining-room on this occasion. He had
a playfellow of his own who had dined with him, and was now engaging him
in much more congenial talk. Archie was not much more educated in music
than his father; but there was in his unpossessed being a power of
perception, only half developed, of beautiful things. A sonata would
have disconcerted him as much as it did Rowland; but the bits of melody
that Rosamond was playing, and which he called in his simplicity tunes,
seemed to make an atmosphere about her which was poetically appropriate,
and filled the background of the large partially lighted sitting-room.
The group on the sofa, with Marion’s detached figure full in the light
of a lamp, seemed like a group on the stage, carrying on the thread of
some half-comprehended story. Rosamond and the music belonged to a
different sphere. There were shaded candles upon the piano, throwing a
white light upon a pair of white hands, moving softly over the ivory
keys; behind, the curtains were drawn back from one of the rounded
windows, a line of moonlight came in, and in the distance from the
corner in which Archie was seated unseen there was a glimmer visible of
the distant waters of the Clyde, in glistening life and movement under
the white blaze of the moon. Archie’s heart was full of strange and
uncomprehended emotion. He was in a new world, listening to those soft
strains which touched him as the light might touch a being coming to
life, and feeling the vague enchantment of the night, the presence, like
a charm, of the half seen figure, half dark half light, at the piano,
and this subtle atmosphere in which she breathed. He had said very
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account