The Railway Man and His ChildrenOliphant, Mrs. (Margaret)
General
The Railway Man and His Children
Oliphant, Mrs. (Margaret)
Children of the rich -- Fiction; Families -- Fiction; Forgery -- Fiction; Scotland -- Fiction; Social classes -- Fiction
“Oh,” she said, “not because it is the fashion with a certain sort of
young man, for I don’t suppose you would--” she meant to say “know,” in
her disdain, but moved by some better feeling, said instead “care. But I
should not think you were fond of dancing,” she said, pressing firmly
upon the two bass keys.
“You think,” said Archie, emboldened by the fact that she could not see
him, “that I don’t look much like dancing. And it’s true. I am not good
at it. Marion is, though,” he said after a little pause.
“And what has that got to do with you?”
“Oh!” he said surprised. Then after a pause, “I would naturally like her
to be pleased.”
“You would naturally--like her to be pleased?” Rosamond ceased her
playing and turned right round upon the music stool, facing him. But the
light of the candles was now entirely behind her, shining upon the
ribbons of her sash--shining a line of colour beyond her white figure,
but leaving her countenance invisible as before. “Why?” she said after
an interval, “Why?”
“Why?”
“Yes, yes, why? Don’t I speak plain? Why? I want to know why?”
“But there is no why to it,” said Archie, “it is just so.”
She sat dark against the light and thought over this proposition for
some time. “Well,” she said at length, “but you are inconsistent. You go
against your father in everything, and this lady--who is so out of place
here--”
“Why,” said Archie hotly, “is she so much out of place here?”
“Oh!” said Rosamond, and turning round again she burst into a loud
heroic tuneful strain, filling the still room with a clamour of sound.
In a few minutes more she had changed into a waltz. Then there occurred
a complete transformation scene. Eddy jumped up from his seat by Mrs.
Rowland, and snatched or seemed to snatch Marion from her chair, and the
pair began to fly and flout about the room, as lightly as a pair of
birds. Eddy Saumarez was not an elegant cavalier, but he danced very
well, and Marion had not done herself more than justice when she said
that she was “very good at it.” They threaded the intricacies of the
furniture with the greatest lightness and ease, and whirled from dark to
light and from light to dark, from where Mrs. Rowland sat looking on
with a smile in the full revelation of a large lamp, to where Archie sat
unseen in his corner. Rosamond never turned her head but played on,
varying the tune with an _esprit_ which her brother followed, ducking
and anon sweeping on the light figure of the girl with all the art of an
accomplished performer. Archie taken completely by surprise at first,
watched them with a vague sensation of pleasure in the same, which was
against all his prepossessions. The sudden indignation in his mind died
out. The novelty and suddenness of the movement beguiled him out of
himself. There appeared suddenly at the open door while the dancers
still went on, all preliminary sound being drowned by the music, the
jovial and ruddy countenances of Rowland and his friend, who stood
Public-domain text, read in full here on John Shaqi.
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