Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
All his daytime activity, all his public life, was a kind of sleep. She
wanted to be free, to belong to the day. And he ran avoiding the day in
work. After tea, he went to the shed to his carpentry or his
woodcarving. He was restoring the patched, degraded pulpit to its
original form.
But he loved to have the child near him, playing by his feet. She was a
piece of light that really belonged to him, that played within his
darkness. He left the shed door on the latch. And when, with his second
sense of another presence, he knew she was coming, he was satisfied, he
was at rest. When he was alone with her, he did not want to take
notice, to talk. He wanted to live unthinking, with her presence
flickering upon him.
He always went in silence. The child would push open the shed door, and
see him working by lamplight, his sleeves rolled back. His clothes hung
about him, carelessly, like mere wrapping. Inside, his body was
concentrated with a flexible, charged power all of its own, isolated.
From when she was a tiny child Ursula could remember his forearm, with
its fine black hairs and its electric flexibility, working at the bench
through swift, unnoticeable movements, always ambushed in a sort of
silence.
She hung a moment in the door of the shed, waiting for him to notice
her. He turned, his black, curved eyebrows arching slightly.
“Hullo, Twittermiss!”
And he closed the door behind her. Then the child was happy in the shed
that smelled of sweet wood and resounded to the noise of the plane or
the hammer or the saw, yet was charged with the silence of the worker.
She played on, intent and absorbed, among the shavings and the little
nogs of wood. She never touched him: his feet and legs were near, she
did not approach them.
She liked to flit out after him when he was going to church at night.
If he were going to be alone, he swung her over the wall, and let her
come.
Again she was transported when the door was shut behind them, and they
two inherited the big, pale, void place. She would watch him as he lit
the organ candles, wait whilst he began his practicing his tunes, then
she ran foraging here and there, like a kitten playing by herself in
the darkness with eyes dilated. The ropes hung vaguely, twining on the
floor, from the bells in the tower, and Ursula always wanted the
fluffy, red-and-white, or blue-and-white rope-grips. But they were
above her.
Sometimes her mother came to claim her. Then the child was seized with
resentment. She passionately resented her mother’s superficial
authority. She wanted to assert her own detachment.
Public-domain text, read in full here on John Shaqi.
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