Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
In a moment she was clinging safely on his back again, and he was
swimming in deep water. She was used to his nakedness, and to her
mother’s nakedness, ever since she was born. They were clinging to each
other, and making up to each other for the strange blow that had been
struck at them. Yet still, on other days, he would leap again with her
from the bridge, daringly, almost wickedly. Till at length, as he
leapt, once, she dropped forward on to his head, and nearly broke his
neck, so that they fell into the water in a heap, and fought for a few
moments with death. He saved her, and sat on the bank, quivering. But
his eyes were full of the blackness of death. It was as if death had
cut between their two lives, and separated them.
Still they were not separate. There was this curious taunting intimacy
between them. When the fair came, she wanted to go in the swingboats.
He took her, and, standing up in the boat, holding on to the irons,
began to drive higher, perilously higher. The child clung fast on her
seat.
“Do you want to go any higher?” he said to her, and she laughed with
her mouth, her eyes wide and dilated. They were rushing through the
air.
“Yes,” she said, feeling as if she would turn into vapour, lose hold of
everything, and melt away. The boat swung far up, then down like a
stone, only to be caught sickeningly up again.
“Any higher?” he called, looking at her over his shoulder, his face
evil and beautiful to her.
She laughed with white lips.
He sent the swingboat sweeping through the air in a great semi-circle,
till it jerked and swayed at the high horizontal. The child clung on,
pale, her eyes fixed on him. People below were calling. The jerk at the
top had almost shaken them both out. He had done what he could—and he
was attracting censure. He sat down, and let the swingboat swing itself
out.
People in the crowd cried shame on him as he came out of the swingboat.
He laughed. The child clung to his hand, pale and mute. In a while she
was violently sick. He gave her lemonade, and she gulped a little.
“Don’t tell your mother you’ve been sick,” he said. There was no need
to ask that. When she got home, the child crept away under the parlour
sofa, like a sick little animal, and was a long time before she crawled
out.
But Anna got to know of this escapade, and was passionately angry and
contemptuous of him. His golden-brown eyes glittered, he had a strange,
cruel little smile. And as the child watched him, for the first time in
her life a disillusion came over her, something cold and isolating. She
went over to her mother. Her soul was dead towards him. It made her
sick.
Still she forgot and continued to love him, but ever more coldly. He
was at this time, when he was about twenty-eight years old, strange and
violent in his being, sensual. He acquired some power over Anna, over
everybody he came into contact with.
Public-domain text, read in full here on John Shaqi.
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