Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
Their children became mere offspring to them, they lived in the
darkness and death of their own sensual activities. Sometimes he felt
he was going mad with a sense of Absolute Beauty, perceived by him in
her through his senses. It was something too much for him. And in
everything, was this same, almost sinister, terrifying beauty. But in
the revelations of her body through contact with his body, was the
ultimate beauty, to know which was almost death in itself, and yet for
the knowledge of which he would have undergone endless torture. He
would have forfeited anything, anything, rather than forego his right
even to the instep of her foot, and the place from which the toes
radiated out, the little, miraculous white plain from which ran the
little hillocks of the toes, and the folded, dimpling hollows between
the toes. He felt he would have died rather than forfeit this.
This was what their love had become, a sensuality violent and extreme
as death. They had no conscious intimacy, no tenderness of love. It was
all the lust and the infinite, maddening intoxication of the sense, a
passion of death.
He had always, all his life, had a secret dread of Absolute Beauty. It
had always been like a fetish to him, something to fear, really. For it
was immoral and against mankind. So he had turned to the Gothic form,
which always asserted the broken desire of mankind in its pointed
arches, escaping the rolling, absolute beauty of the round arch.
But now he had given way, and with infinite sensual violence gave
himself to the realization of this supreme, immoral, Absolute Beauty,
in the body of woman. It seemed to him, that it came to being in the
body of woman, under his touch. Under his touch, even under his sight,
it was there. But when he neither saw nor touched the perfect place, it
was not perfect, it was not there. And he must make it exist.
But still the thing terrified him. Awful and threatening it was,
dangerous to a degree, even whilst he gave himself to it. It was pure
darkness, also. All the shameful things of the body revealed themselves
to him now with a sort of sinister, tropical beauty. All the shameful,
natural and unnatural acts of sensual voluptuousness which he and the
woman partook of together, created together, they had their heavy
beauty and their delight. Shame, what was it? It was part of extreme
delight. It was that part of delight of which man is usually afraid.
Why afraid? The secret, shameful things are most terribly beautiful.
They accepted shame, and were one with it in their most unlicensed
pleasures. It was incorporated. It was a bud that blossomed into beauty
and heavy, fundamental gratification.
Their outward life went on much the same, but the inward life was
revolutionized. The children became less important, the parents were
absorbed in their own living.
Public-domain text, read in full here on John Shaqi.
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