Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
“Miss Lydia, will you marry me?” he had said to her in German, in his
grave, yet tremulous voice. She had been afraid of his dark eyes upon
her. They did not see her, they were fixed upon her. And he was hard,
confident. She thrilled with the excitement of it, and accepted. During
the courtship, his kisses were a wonder to her. She always thought
about them, and wondered over them. She never wanted to kiss him back.
In her idea, the man kissed, and the woman examined in her soul the
kisses she had received.
She had never quite recovered from her prostration of the first days,
or nights, of marriage. He had taken her to Vienna, and she was utterly
alone with him, utterly alone in another world, everything, everything
foreign, even he foreign to her. Then came the real marriage, passion
came to her, and she became his slave, he was her lord, her lord. She
was the girl-bride, the slave, she kissed his feet, she had thought it
an honour to touch his body, to unfasten his boots. For two years, she
had gone on as his slave, crouching at his feet, embracing his knees.
Children had come, he had followed his ideas. She was there for him,
just to keep him in condition. She was to him one of the baser or
material conditions necessary for his welfare in prosecuting his ideas,
of nationalism, of liberty, of science.
But gradually, at twenty-three, twenty-four, she began to realize that
she too might consider these ideas. By his acceptance of her
self-subordination, he exhausted the feeling in her. There were those
of his associates who would discuss the ideas with her, though he did
not wish to do so himself. She adventured into the minds of other men.
His, then, was not the only male mind! She did not exist, then, just as
his attribute! She began to perceive the attention of other men. An
excitement came over her. She remembered now the men who had paid her
court, when she was married, in Warsaw.
Then the rebellion broke out, and she was inspired too. She would go as
a nurse at her husband’s side. He worked like a lion, he wore his life
out. And she followed him helplessly. But she disbelieved in him. He
was so separate, he ignored so much. He counted too much on himself.
His work, his ideas,—did nothing else matter?
Then the children were dead, and for her, everything became remote. He
became remote. She saw him, she saw him go white when he heard the
news, then frown, as if he thought, “_Why_ have they died now, when I
have no time to grieve?”
“He has no time to grieve,” she had said, in her remote, awful soul.
“He has no time. It is so important, what he does! He is then so
self-important, this half-frenzied man! Nothing matters, but this work
of rebellion! He has not time to grieve, nor to think of his children!
He had not time even to beget them, really.”
She had let him go on alone. But, in the chaos, she had worked by his
side again. And out of the chaos, she had fled with him to London.
Public-domain text, read in full here on John Shaqi.
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