Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
And always, she was gone before he came. As he came, she drew away, as
he drew away, she came. Were they never to meet? Gradually a low,
deep-sounding will in him vibrated to her, tried to set her in accord,
tried to bring her gradually to him, to a meeting, till they should be
together, till they should meet as the sheaves that swished together.
And the work went on. The moon grew brighter, clearer, the corn
glistened. He bent over the prostrate bundles, there was a hiss as the
sheaves left the ground, a trailing of heavy bodies against him, a
dazzle of moonlight on his eyes. And then he was setting the corn
together at the stook. And she was coming near.
He waited for her, he fumbled at the stook. She came. But she stood
back till he drew away. He saw her in shadow, a dark column, and spoke
to her, and she answered. She saw the moonlight flash question on his
face. But there was a space between them, and he went away, the work
carried them, rhythmic.
Why was there always a space between them, why were they apart? Why, as
she came up from under the moon, would she halt and stand off from him?
Why was he held away from her? His will drummed persistently, darkly,
it drowned everything else.
Into the rhythm of his work there came a pulse and a steadied purpose.
He stooped, he lifted the weight, he heaved it towards her, setting it
as in her, under the moonlit space. And he went back for more. Ever
with increasing closeness he lifted the sheaves and swung striding to
the centre with them, ever he drove her more nearly to the meeting,
ever he did his share, and drew towards her, overtaking her. There was
only the moving to and fro in the moonlight, engrossed, the swinging in
the silence, that was marked only by the splash of sheaves, and
silence, and a splash of sheaves. And ever the splash of his sheaves
broke swifter, beating up to hers, and ever the splash of her sheaves
recurred monotonously, unchanging, and ever the splash of his sheaves
beat nearer.
Till at last, they met at the shock, facing each other, sheaves in
hand. And he was silvery with moonlight, with a moonlit, shadowy face
that frightened her. She waited for him.
“Put yours down,” she said.
“No, it’s your turn.” His voice was twanging and insistent.
She set her sheaves against the shock. He saw her hands glisten among
the spray of grain. And he dropped his sheaves and he trembled as he
took her in his arms. He had over-taken her, and it was his privilege
to kiss her. She was sweet and fresh with the night air, and sweet with
the scent of grain. And the whole rhythm of him beat into his kisses,
and still he pursued her, in his kisses, and still she was not quite
overcome. He wondered over the moonlight on her nose! All the moonlight
upon her, all the darkness within her! All the night in his arms,
darkness and shine, he possessed of it all! All the night for him now,
to unfold, to venture within, all the mystery to be entered, all the
discovery to be made.
Public-domain text, read in full here on John Shaqi.
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