Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
“My word, that’s a natty little thing! That’ll save you luggin’ your
inside out. That’s the latest contraption, that is.”
And Anna turned away at the handle, with great gusto of possession.
Then she let Tilly have a turn.
“It fair runs by itself,” said Tilly, turning on and on. “Your
clothes’ll nip out on to th’ line.”
Chapter V.
WEDDING AT THE MARSH
It was a beautiful sunny day for the wedding, a muddy earth but a
bright sky. They had three cabs and two big closed-in vehicles.
Everybody crowded in the parlour in excitement. Anna was still
upstairs. Her father kept taking a nip of brandy. He was handsome in
his black coat and grey trousers. His voice was hearty but troubled.
His wife came down in dark grey silk with lace, and a touch of
peacock-blue in her bonnet. Her little body was very sure and definite.
Brangwen was thankful she was there, to sustain him among all these
people.
The carriages! The Nottingham Mrs. Brangwen, in silk brocade, stands in
the doorway saying who must go with whom. There is a great bustle. The
front door is opened, and the wedding guests are walking down the
garden path, whilst those still waiting peer through the window, and
the little crowd at the gate gorps and stretches. How funny such
dressed-up people look in the winter sunshine!
They are gone—another lot! There begins to be more room. Anna comes
down blushing and very shy, to be viewed in her white silk and her
veil. Her mother-in-law surveys her objectively, twitches the white
train, arranges the folds of the veil and asserts herself.
Loud exclamations from the window that the bridegroom’s carriage has
just passed.
“Where’s your hat, father, and your gloves?” cries the bride, stamping
her white slipper, her eyes flashing through her veil. He hunts
round—his hair is ruffled. Everybody has gone but the bride and her
father. He is ready—his face very red and daunted. Tilly dithers in the
little porch, waiting to open the door. A waiting woman walks round
Anna, who asks:
“Am I all right?”
She is ready. She bridles herself and looks queenly. She waves her hand
sharply to her father:
“Come here!”
He goes. She puts her hand very lightly on his arm, and holding her
bouquet like a shower, stepping, oh, very graciously, just a little
impatient with her father for being so red in the face, she sweeps
slowly past the fluttering Tilly, and down the path. There are hoarse
shouts at the gate, and all her floating foamy whiteness passes slowly
into the cab.
Her father notices her slim ankle and foot as she steps up: a child’s
foot. His heart is hard with tenderness. But she is in ecstasies with
herself for making such a lovely spectacle. All the way she sat
flamboyant with bliss because it was all so lovely. She looked down
solicitously at her bouquet: white roses and lilies-of-the-valley and
tube-roses and maidenhair fern—very rich and cascade-like.
Public-domain text, read in full here on John Shaqi.
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