Arizona -- Fiction; Frontier and pioneer life -- Fiction; Western stories
Shefford rode around the wall into a widening space thick with cedars.
It ended in a bare slope of smooth rock. Here the Indian dismounted.
When the others came up with him he told them to lead their horses and
follow. Then he began the ascent of the rock.
It was smooth and hard, though not slippery. There was not a crack.
Shefford did not see a broken piece of stone. Nas Ta Bega climbed
straight up for a while, and then wound around a swell, to turn this way
and that, always going up. Shefford began to see similar mounds of rock
all around him, of every shape that could be called a curve. There were
yellow domes far above, and small red domes far below. Ridges ran from
one hill of rock to another. There were no abrupt breaks, but holes
and pits and caves were everywhere, and occasionally, deep down, an
amphitheater green with cedar and pinyon. The Indian appeared to have
a clear idea of where he wanted to go, though there was no vestige of
a trail on those bare slopes. At length Shefford was high enough to see
back upon the plain, but the pursuers were no longer in sight.
Nas Ta Bega led to the top of that wall, only to disclose to his
followers another and a higher wall beyond, with a ridged, bare, wild,
and scalloped depression between. Here footing began to be precarious
for both man and beast. When the ascent of the second wall began it was
necessary to zigzag up, slowly and carefully, taking advantage of every
level bulge or depression. They must have consumed half an hour mounting
this slope to the summit. Once there, Shefford drew a sharp breath with
both backward and forward glances. Shadd and his gang, in single file,
showed dark upon the bare stone ridge behind. And to the fore there
twisted and dropped and curved the most dangerous slopes Shefford had
ever seen. The fugitives had reached the height of stone wall, of the
divide, and many of the drops upon this side were perpendicular and too
steep to see the bottom.
Public-domain text, read in full here on John Shaqi.
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