The Rajah's Heir: A Novel in 3 volumesDespard, C. (Charlotte)
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The Rajah's Heir: A Novel in 3 volumes
Despard, C. (Charlotte)
India -- Fiction
His mind, in the meantime, was oscillating between hope and despair.
Every hour increased his impatience, and added to his horror and
uncertainty. It was true that, only a few days before, they had been
seen living, and still, so far as he could gather, in good health;
but would not the difficulties and dangers of this further journey,
which taxed their own resources to the utmost, break these tender
wanderers down? And to fail at the last moment, when help was actually
within reach--how infinitely pitiful it would be! He had one comfort,
meanwhile--Bâl Narîn was with him. The news heard at the Aswalia
village had completely won over the wily Ghoorka guide. Hitherto he had
gone on with the enterprise to indulge his employer, and humour the mad
caprice of an Englishman who had cast his spell over him. While the
European rajah 'held him with his eye,' he could not refuse to follow
him. Now, first, he began to believe in a happy issue. He would not say
much about it, for he was fearful, if he gave an encouragement which
turned out to be unfounded, the young rajah would sicken and die of
despair; but Tom, who could read the minds of his people, knew that he
was going forward with renewed energy.
It was on the second day after they left the village behind them that
Bâl Narîn's experienced eye began to detect marks which led him to
believe that they were actually, at last, on the fugitives' track.
They were in the path known in this region as the robbers' road--a
path which, though distinct enough to the experienced, was difficult
to pass over, being much choked with vegetation. Kutcha-grass, growing
to an immense height, made dense walls on either side of the road.
They were in their usual marching order--the coolies in front beating
down obstructions, Tom riding behind them, and peering anxiously into
the recesses of the jungle, behind him the Ghoorka soldiers mounted on
camels, and Bâl Narîn bringing up the rear.
Public-domain text, read in full here on John Shaqi.
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