Parsons knew he must stay in Dawes, and that from now on he must play
lackey to the master who, at last in an environment that suited him, had
so ruthlessly demonstrated his principles.
In a spirit of abject surrender Parsons again opened his eyes and sat
up. Carrington rose and again stood over him.
“You understand now, Parsons, I’m running things. You stay in the
background. If you interfere with me I’ll kill you. I’ll kill you if you
laugh at me again. Your job out here is to take care of Marion Harlan.
You’re to keep her here. If she gets away I’ll manhandle you! Now get
out of here!”
An hour later Parsons was sitting on the front porch of the big house,
staring vacantly out into the big level below him, his heart full of
hatred and impotent resentment; his brain, formerly full of craft and
guile, now temporarily atrophied through its attempts to comprehend the
new character of the man who had throttled him.
In Dawes, Carrington was getting into his clothing. He was smiling, his
eyes glowing with grim satisfaction. At nine o’clock Carrington
descended the stairs, stopped in the hotel lobby to light a cigar; then
crossed the street and went into the courthouse, where he was greeted
effusively by Judge Littlefield. Quinton Taylor, too, was going to the
courthouse.
This morning at ten o’clock, according to information received from Neil
Norton—sent to Taylor by messenger the night before—Taylor was to take
the oath of office.
Taylor was conscious of the honor bestowed upon him by the people of
Dawes, though at first he had demurred, pointing out that he was not
actually a resident of the town—the Arrow lying seven miles southward.
But this objection had been met and dismissed by his friends, who had
insisted that he was a resident of the town by virtue of his large
interests there, and from the fact that he occupied an apartment above
the Dawes bank, and that he spent more time in it than he spent in the
Arrow ranchhouse.
But on the ride to Dawes—on Spotted Tail—(this morning wonderfully
docile despite Tuesday’s slander by his master)—Taylor’s thoughts dwelt
not upon the honor that was to be his, but upon the questionable trick
he had played on Marion Harlan, with the able assistance of the tall
young puncher, Bud Hemmingway.
He looked down at the foot, now unbandaged, with a frown. The girl’s
complete and matter-of-fact belief in the story of his injury; her
sympathy and deep concern; the self-accusation in her eyes; the instant
pardon she had granted him for staying at the ranchhouse when he should
not have stayed—all these he arrayed against the bald fact that he had
tricked her. And he felt decidedly guilty.
Public-domain text, read in full here on John Shaqi.
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