With heartbreaking effort he brought up his right hand, bearing the pistol. He was trying to swing it around to bring it to bear upon one of the two dancing figures in front of him, when a crushing blow landed on his head, and he knew one of the men had struck him with a fist. He felt his own weapon go off at last—it seemed he had been an age pressing on the trigger—and he heard a voice again—Carrington’s—saying: “Damn him; he’s shot me!” He laughed aloud as a gun roared close to him; he felt another twinge of pain somewhere around where the other twinges had come—or on the other side—he did not know; and he sank slowly, still pressing the trigger of his pistol, though not knowing whether or not he was doing any damage. And then the eccentrically whirling world became a black blur, soundless and void. CHAPTER XXI—A MAN FACES DEATH Taylor’s last shot, when he had been automatically pressing the trigger after Carrington had struck him viciously with his fist, had brought down the last of the three men who had ambushed him. And one of his last bullets had struck Carrington, who had recovered consciousness and staggered out of the house in time to see the end of the fight. And the big man, in a black, malignant fury of hatred, was staggering toward Taylor, lifting a foot to kick him, when from the direction of the clearing in front of the house came a voice, hoarse and vibrant with a cold, deadly rage: “One kick an’ I blow the top of your head off!” Carrington stopped short and wheeled, to face Ben Mullarky. The Irishman’s eyes were blazing with wrath, and as he came forward, peering at the figures lying on the ground near the house, Carrington retreated, holding up his hands. “Three of ye pilin’ on one, eh?” said Mullarky as he looked down at Taylor, huddled against the side of the house. “An’ ye got him, too, didn’t ye? I’ve a domn big notion to blow the top of your head off, anny way. Ye slope, ye big limb of the divvle, or I’ll do it!” Mullarky watched while Carrington mounted his horse and rode up the river trail toward Dawes, and the instant Carrington was out of sight, Mullarky was down on his knees beside Taylor, taking a lightning inventory of his wounds. “Four of them, looks like!” he muttered thickly, his voice shaking with pity for the slack, limp, smoke-blackened figure that lay silent, the trace of a smile on its face. “An’ two of them through the shoulder!” He paused, awed. “Lord, what a shindy!” Then, swiftly gulping down his sympathy and his rage, Mullarky ran to his horse, which he had left at the edge of the wood when he had heard the shooting. He led the animal back to where Taylor lay, tenderly lifted Taylor in his arms, walked to the horse, and after much labor got Taylor up in front of him on the horse, Taylor’s weight resting on his legs, the man’s head and shoulders resting against him, to ease the jars of the journey.