“Then there is the Prince de Harnac—Gustave.”
“What, you know a Prince!”
“Why, man, I am a Prince.”
“You are a what?”
“I am a Prince,” said Toto shamefacedly.
“Ah, _mon Dieu!_ what a droll you are!” cried Garnier, breaking into a
laugh. “First you are a bourgeois, then you are a banker, then you are
a Prince.”
“I am not joking; I am what I say.”
“But,” cried Garnier, sobered by the serious face of Toto, “you a
Prince, sitting here at the Trois Frères with me! Come now! a joke is
all very well up to a certain point; beyond that it makes one feel
giddy. Besides, you are not like a Prince.”
“For Heaven’s sake, what _is_ a Prince like?” asked Toto, half
laughing, half vexed. “I have never seen a Prince that was different
from anyone else; they are generally more stupid, perhaps, but that is
all.”
“But what are you Prince of?” cried the painter, belief and disbelief
battling in his mind.
“My father was a prince of the Roman Empire. I am the same, of course,
now that he is dead.”
“But, my dear child!” cried the Provençal, to whom a Prince was a
Prince, no matter what empire he belonged to, “what made you come
amongst us at Melmenotte’s? it is like what one reads in a romance,
all this. I could not have believed it. And what made you come to live
in the Rue de Perpignan? And Célestin! Ah, _ciel!_ I see it all now:
she is a Princess; that is what makes her different from other people.
A Princess! she has made me coffee, whilst I have talked to her as to
a child. I have carved for her a tulip out of a turnip, and I never
guessed who she was, when it was plain before me written all over her——”
“You are wrong,” said Toto in a troubled voice. “She is not a Princess;
I wish she were. Listen, my friend, and I will tell you all. I want
your advice.”
He told the little story of his meeting with Célestin, everything; he
sketched rapidly a portrait of his mother; then he paused to let the
tale sink in, and Garnier rubbed his chin.
“But what made you do all this?” asked the painter at last. “You could
have painted at home.”
“I don’t know; I was so sick of it all. I wanted a change, I wanted to
do for myself; it seemed so jolly to have an atelier, and live in a
blouse and work; then, besides—I can’t explain exactly, but I felt as
if I wanted to grow: a lot of people had deceived me. They did not mean
it, I suppose, but they praised my work; besides, I felt that they were
laughing at me behind my back.”
He told the story of De Nani, and the truth that had escaped from him
in drink; he felt no shame in confiding his troubles to Garnier. All
great-minded people have this in common. They resemble priests; we
confess to them openly what we would not whisper to little minds.
Public-domain text, read in full here on John Shaqi.
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